Why Can’t the ALF Talk about Sexism?

The Animal Liberation Front (ALF) and other direct action collectives have a rocky track record with women in the Nonhuman Animal rights movement.

In celebrating violent masculinity, the language and imagery of the ALF is repellent to women and antagonistic to femininity. In my research, I have noted that direct action collectives regularly denounce nonviolent civil resistance (what they sometimes misconstrue as pacifism), framing it as weakness and complacency. Consider a 2012 conference presentation in which ALF founder Steve Best aggressively lectures a room of female attendees, furious at the feminization of the Nonhuman Animal rights movement and demanding that activists literally take up arms against speciesists. The now defunct project Negotiation is Over published regular criticisms of vegan baking as outreach.

Nonviolent civil resistance of all kinds, but especially baking, is, of course, feminized. The proposed alternative–taking up arms–is explicitly masculinized. As a male-dominated organization, the ALF’s adamant rejection of women’s tactics is blatantly sexist.

In Capers in the Churchyard: Animal Rights Advocacy in the Age of Terror, vegan feminist Lee Hall also describes parallels between masculinity and ALF operations. Vandalism, arson, and threats to researchers and their families are understood to be “front line” activism. This activism earns men prestige and honor in the Nonhuman Animal rights movement. This is real activism, activism for the “brave” and “courageous.” In practice, it is most adopted by male teens and 20 somethings who have absorbed the patriarchal culture of glorified violence, anger, and domination.

ALF actions are as much a performance of maleness as they are tactics of nonhuman liberation. Activists who do not engage in direct action are labeled “cowards” to humiliate men by feminizing them and intimidate women by shaming their femininity.

 ALF Supporters Group Newsletter

In a misogynistic society, there are serious consequences for women and girls when a social justice movement aggravates gender stereotypes. There are consequences for the entire movement and Nonhuman Animals, too. Although peaceful vegan activism surely played a part as well, it was specifically ALF’s violence that would prompt agricultural elites to pass the Animal Enterprise Terrorism Act in the 1990s (see Muzzling a Movement 2010). This act would essentially criminalize any action that interferes with speciesist enterprise, violent or not. Equally problematic, young men are made vulnerable to serious fines and jail sentences when this kind of activism is valorized.

Women, of course, are not completely absent in direct action, but even the most masculinized of spaces will sometimes attract female participants who understand that association with patriarchy can grant them some male privilege, albeit with considerable limitations and always at the expense of other women. In ALF literature, the role of women tends to be one of sidekick and adoring fan. In Love and Liberation: An Animal Liberation Front Story (Piraeus Books LLC 2012), the female lead is portrayed as smitten by the male lead’s prowess, prompting her to follow him into combat. This is a classic masculine trope whereby men’s violent bravery is rewarded by an objectified woman. As a trophy or prize, the woman’s character is subservient to and dependent upon the man’s story.

ALF

Other ALF publications are more straightforward in their sexual objectification of women. Liberator, for instance, has been criticized for its sexist themes. The illustration below featuring a female protester with large breasts fit into a tight shirt with no bra is a case in point.

The Liberator

The comic creator Matt Miner responded to feminist criticism in a now deleted “Open Letter to the Open Letter Author on Women in Comics.” His tone was dismissive and aggressive:

[ . . . ] you’ll notice that the art does not focus on her breasts, she’s fully clothed, the piece does not sexualise her in any way.

In your “open letter” you state other inflammatory nonsense that I find particularly offensive, attacks on my qualifications to write this series and there’s even a misguided attempt of associating me with the sexist animal killers of PETA, but clearly you’ve not done the slightest bit of research before unleashing so I’ll just laugh that bit of irony off.

When another feminist questioned the implications of his comic on his Facebook page, Miner responded with a rudimentary appeal to reverse sexism in describing the criticism as “offensive.”

ALF and sexism

As this essay has outlined, there are three roles that women play in direct action claimsmaking, all of which are sexist: the feminizing factor, the prize for male activists, and the eye candy. Aggressive deflection of feminist criticism is generally engaged in favor of putting “nonhumans first,” but the ALF’s protection of sexism is not for the protection of Nonhuman Animals. It is merely unchecked violent masculinity masked as social justice. Violent masculinity “for the animals” “by any means necessary” provides a rationale for reinforcing privilege and hurting others.

Oppression cannot be dismantled with more oppression and a brazen refusal to self-reflect. In the Nonhuman Animal rights movement, sexism does not seem to exist unless it is acknowledged, validated, and legitimated by men. While it is true that men have more symbolic power in a patriarchal society, women are not obligated to take men’s sexist interpretations of the social world as reality.

 


Corey Lee WrennDr. Wrenn is Lecturer of Sociology. She received her Ph.D. in Sociology with Colorado State University in 2016. She received her M.S. in Sociology in 2008 and her B.A. in Political Science in 2005, both from Virginia Tech. She was awarded Exemplary Diversity Scholar, 2016 by the University of Michigan’s National Center for Institutional Diversity. She served as council member with the American Sociological Association’s Animals & Society section (2013-2016) and was elected Chair in 2018. She serves as Book Review Editor to Society & Animals and has contributed to the Human-Animal Studies Images and Cinema blogs for the Animals and Society Institute. She has been published in several peer-reviewed academic journals including the Journal of Gender Studies, Feminist Media Studies, Disability & Society, Food, Culture & Society, and Society & Animals. In July 2013, she founded the Vegan Feminist Network, an academic-activist project engaging intersectional social justice praxis. She is the author of A Rational Approach to Animal Rights: Extensions in Abolitionist Theory (Palgrave MacMillan 2016).

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In a Sexist World, a Horse’s Company is an Escape

horses-running

Many people go through a traumatic experience at least once in their life and they may also go through times where things get very hard. We are told that this is life and that life is supposed to be hard, but is it really supposed to be this difficult? Being a woman in a male dominated business is very difficult and often very stressful for me even though I am still in school. I choose a major and a career path that is heavily dominated by men, but women are slowly breaking down the barrier.

There have been many times where I feel like I’m being talked down to at work or I’m being talked to only because of my relationship with someone who is big at this company. There have been times where my boss and other co-workers have given me an extremely easy assignment because I am a woman but on the contrary, they have also given me nearly impossible assignments to make me feel like I can’t complete it. There are days where I feel like I should give up on my career choice to be an accountant and to pick something that is more welcoming to woman, but the only thing that stops me from changing my life is the company of my horses.

When people typically have a bad day at work they go home and relax on the couch; or they can go pay a therapist to listen to them talk about their day. When I have a bad day, I go to the horse farm to destress with the company of my horses. There is something about a horse that is relaxing to a person and can make their bad day turn into something positive by just being around a horse. I often get called the “crazy” horse girl by my friends, but anyone who has ever been around a horse before knows exactly what I am talking about.

horse-running
Some people would argue that the reason for having animals, such as horses is to use them for a specific purpose such as providing labor or transportation. Another thought is that we as humans exploit animals for our gain and we do so by using force (Luke 1996). While these things are sadly true, this is not the relationship that I have with my two horses. My horses get to enjoy being outside with other horses eating grass all day. They occasionally get brushed and then I give them their cookies, which they happen to love. My horses are not pets to me, they are my family and I need them in my life. I have a mutual relationship with my horses as they trust that I won’t let them get hurt and I trust that they won’t hurt me.

The relationship between a horse and a person is a powerful one that can help a person who has been struggling with personal difficulties. I have had my fair share of personal difficulties in my 21 years of life. I have never had anything extremely traumatic happen in my life but I have had things that have messed with my head before happen to me. Although I have lived a very good childhood, a few things recently hurt me and the only way I could cope with the issues that I was facing was by going to see my horses. Even if I could stop by for a couple of minutes to give them some treats I would because their presence helped to calm me down.

The recent issue that has been bothering me is that after 21 years of what I thought was a happy marriage, my parents announced to my siblings and I that they were in the process of getting a divorce (right before the holidays). I felt that my whole childhood and my life was a complete lie because they said that they have been having issues for years. I wouldn’t talk to anyone, not my mom, my dad, or even my two siblings. I would get angry and get loud, but then I would immediately start crying afterwards because the only life I knew was crashing down out a nowhere.

I never thought that I would be a result of divorced parents, even though the United States is #3 in divorce rates. To be honest, none of the divorce risk factors have affected my parents as they were in their late twenties when they got married, so they didn’t get married young, and neither one of them have divorced parents. They also knew each other for a while before they got married. Divorce seems to affect women more than the men because the women are typically older women, who are housewives or have been housewives for many years and are reentering the labor force after a long absence. Although divorce has become more common and more acceptable over the years in the United States, it is still shocking to me that this is happening.

My escape from the things that were happening in my life was my horses and just being around them helped. They are both complete opposites in personality and in appearance. Marshall is a big bay, with a gorgeous glistening coat, whereas Yankee is of a shorter and stockier build, who is grey (white) with flea-bitten spots, which look like brown freckles all over his body. Yankee will stand over me if I’m sitting in the grass crying as to almost be the therapist that listens to my problems, but obviously cannot give any input. Marshall is the horse that gets my mind off things because he is goofy and will head butt me if I’m trying to hug him to try to cheer me up.

horse-and-woman

Some people don’t believe that animals know when something is wrong, but I can say that my horses know when something isn’t right; it’s like animals have a sixth sense. If you ever need to get your mind off things or need a break from reality, see if you could go to a local barn to just be around the horses. There are even non-profit programs geared towards helping disabled people and veterans with PTSD. So, if a therapist isn’t in the cards, go pet a horse, I promise it will make you feel much happier.

References:
Brian Luke. 2007. Brutal: Manhood and the Exploitation of Animals. UI Press.
 


rebeccaRebecca Hila is currently a junior at Monmouth University. She is majoring in Business with a concentration in Accounting and a minor in Criminal Justice. She has been an avid animal and horse lover since she was a little girl. Although she spends a lot of time indoors due to her choice of study, she loves spending as must time outside as she can especially in the spring and fall.

The Lion Guard, Defending Anything But Feminism

lion-guard-feminism

To the unsuspecting parents desperate to distract their children, The Lion Guard manifests itself as an effective tool.

Immediately upon hearing the show’s opening theme song, children will abandon their toys and miscellaneous devices to commit their fullest attention to Kion and his lion guard.

Conversely, perhaps it is the subtlety of the program’s most troubling themes that prevents the nostalgic parents from raising their red flags.

The Break-Down: Understanding The Lion King and its Follow-ups

The Lion King II: Simba’s Pride was the seldom-heard-of sequel to The Lion King. In it, Simba had a protagonist daughter named Kiara.

As for The Lion Guard, the creators wanted to focus on the time of Kiara’s youth in the second film for the spin-off.

However, rather than providing a continuation or addendum to Kiara’s story, she was relegated to a minor role to allow her brother, Kion, (who never existed in any of The Lion King movies) to seize her spotlight as the main character.

Boy and girl cub looking at one another, boy cub smirks: "Hi, I'm the brother figure no one asked for and I exist to make you irrelevant"

As a sidenote, it is also interesting that Kiara is suddenly bereft of her individuality. Here, Kion flaunts the stand-out golden colors associated with Simba, whereas Kiara . . .

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. . . Has lost all instances of her distinguished shading tint from The Lion King II: Simba’s Pride (top) and can now hardly ever be recognized amongst her fellow creamy-pelted girl friends in The Lion Guard in any lighting whatsoever (bottom).

Talking About the Main Character: When Retconning Does More Harm Than Good

This wasn’t the only change that was seen in Kiara.

In The Lion King II: Simba’s Pride, Kiara makes it very clear toward the end of this video that she doesn’t want to be queen!

Yet somehow, in The Lion Guard, this trait is entirely discarded in lieu of a minor female character who wants nothing more than to claim her title of nobility.

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The Lion Guard makes the mistake of depicting this Kiara as arrogant, haughty, and quite “bitchy” for being ambitious about the position she was already born into.

Kiara is happy essentially remaining home and doing nothing of importance (by apparent virtue of her off-screen “training to be queen”) while her brother becomes the outgoing hero.

This is a troubling mentality that Barnett and Rivers remark on in Same Difference:

Women’s brain structures are poorly suited for leadership . . . male brains are created for systemizing–the drive to analyze, explore, and construct a system . . . Women lack the motivation for leadership . . . men are the risk takers . . . jobs are “cheerfully chosen” by women because of their preferences, motivations, and expectations . . . women are just not aggressive enough to succeed . . . In short, these commentators believe that women will never achieve as much as men . . . When men lead, all’s right with the world. When women lead, men are less manly and women are miserable. (Barnett & Rivers, 175-176)

If the “queen-in-training” title is referenced or used as a plot device during an episode, the audience can rest assured that this nagging character will not hold the spotlight, and Kion will soon appear to entertain the children with his rambunctiously boyish antics.

This is merely a coded term for “princess,” a trite title that Disney knows they have bestowed upon their female protagonists or side characters in the past.

It grants these girls the excuse to eventually become pretty ornaments or damsels to be rescued by the males, all under the false illusion that they are being just as practical as the guys.

Kiona looking cool says, "What a pretty title, good thing it doesn't come with any responsibilities, because I was almost relevant"

Hyenas and Clans: What Do You Mean “Not A Patriarch?”

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Furthermore, The Lion Guard is equally reluctant to depict its first villain, a spotted hyena leader named Janja, as the female he really should be.

In spotted hyena cackles or clans, there is no question about the dominance of the females, which is established the moment hyena cubs are born.

As the video below explains, female hyena cubs have immediate priority over a hyena clan’s oldest male adults, will grow to be larger and stronger than males, and ultimately enforce a matriarch system with their power.

This begs a simple question: why? Why would the creators, who very obviously would have been aware of this research due to their close contact with Disney’s highly convenient Animal Kingdom, decide against this?

“Because it’s a cartoon!” Some readers may readily shout, however this isn’t an appropriate time for that excuse; one of The Lion Guard’s main goals, as their producers stated, was to teach kids about animals.

This is why they made the choice to ensure that animals aside from lions–a hippo, a honey badger, a cheetah, and even a cattle egret–were in Kion’s Lion Guard.

Despite this perfect learning opportunity to add a girl to the outnumbered female character line-up, we are instead treated to a stereotypical gangster-accented punk of a guy hyena.

In fact, he is so attuned to the Guy Code that moments of his feminization (such as a butterfly landing on his head) are occasionally used as gags. This is a character who faces frequent humiliation when he is unable to be tough and intimidating.

As the author of Guyland explains this pattern of behaviors:

Violence, or the threat of violence, is a main element of the Guy Code . . . They use violence when necessary to test and prove their manhood, and when others don’t measure up, they make them pay. (Kimmel 57)

This definitely appears to resonate with Janja, who time and time again bullies and antagonizes other animals in his all-male clan of hyenas.

Perhaps Disney’s concern was that Janja would’ve come off as a butch lesbian if allowed to be an aggressive female, given the extremely masculine and “Guy Code” nature of true female spotted hyenas.

Hyena saying, "Even though no one complained about a pretty androgynous-looking female in the first movie.

Damsels In Distress, With Disturbing Implications

Additionally, this male aggression is repeatedly coupled by female victimization. We have a grand maximum of three recurring female characters, and all of them require rescuing: Kiara, Fuli the cheetah, and Jasiri the hyena are those damsels.

Many complained about the demonization of hyenas in the first movie, and so when a “good,” supposedly independent female hyena appeared in The Lion Guard, the feedback was generally positive!

It was so optimistic, in fact, that audiences very easily ignored that she was anything but a self-reliant female character. In the video below, Jasiri scoffs at Kion for suggesting that she might ever need his help.

Of course, seconds later, trouble arrives in the form of Janja and his clan. She defends herself for a bit, but ultimately, it is Kion who chases off the malevolent hyena clan with an awesome roar.

Her musical number with Kion, “We’re The Same,” begins to sound void of self-awareness once it is realized that . . . They really aren’t treated the same at all, in fact.

As two separate species, they accept each other, and feasibly that is a positive message about appreciating physical differences. Even so, when comparing the sexes, an imbalance is clearly seen in favor of our male hero.

Hyena saying, "Let's not forget how odd it was for a female hyena to be the boys' victim, when all real female spotted hyenas dominate males without exception"

Irritating as this is, it pales in comparison to some of the perverse undertones displayed throughout these damsel cases. The collage below may help to define this persisting theme.

It is always predatory or preying groups of males that plan to abduct or ambush the girls. In each case, the girls are helplessly pinned or too are weak to defend themselves.

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In the video below, Kiara is lured into the outlands where Janja’s clan awaits to attack. It’s Kion to the rescue once again, and only then does the cackle retreat.

Even this is rather subtle harassment in contrast to Fuli’s encounter with vultures, and it is worth listening to what the villains’ voice of reason says as his parliament encircles her at 1:13.

“Oh, don’t worry my dear, it will all be over soon. After all, we’re not uncivilized.”

Timon looking disgusted

What it sounds like is precisely what the distracted parents are likely to miss, and it’s also what the author of Guyland commentates on in uncensored detail:

Whenever men build and give allegiance to a mystical, enduring, all-male social group, the disparagement of women is, invariably, an important ingredient of the mystical bond, and sexual aggression the means by which the bond is renewed. (Kimmel 238)

A dismayed Scar muses, "Surely you will soon grow tired of this damsel trope?"It’s the sugar-coated conclusions to these twenty-minute-long episodes that obscures an otherwise precarious brand of symbolism. These are metaphors where men are carnivores and women–even if technically meat eaters in this show–are the targets of assault.

Even if one chooses to disbelieve that this is very mildly hinted rape culture slipping into children’s television, there is still something to be said about the high levels of violence toward women that are being depicted today in children’s television.

Final Thoughts and Reflection

Parents are swift to defend this show with a defensively prepared, “It’s just a cartoon, so what’s the harm? They love it, and they’re learning something from it!”

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The sad truth is, they really are learning something from it; and it isn’t what we’d hope they would about animals or friendship.

They’re learning about Hollywood-contrived, exaggerated discrepancies between males and females, where few actually exist in reality.

They’re learning that they’re watching a “boy’s” show, where mainly boys get to explore.

Overall, they’re learning some concepts about general kindness and courage, but it’s a swing and a miss because gender and messages of equality all conjoin in the same ballpark.

Positive themes and morals aren’t impossible in children’s television, because dedicated shows with reasonable airing times like Gravity Falls create an entertaining space of equality without shoving ideas down the audience’s throat.

Before we begin asking kids to be friendly to each other through media, perhaps we as adults should wonder what we’re making these children think about themselves.

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References

Barnett, Rosalind, and Rivers, Caryl. 2004. “Leading Questions.” Same Difference. New York: Basic Books.

Kimmel, Michael. 2008. “Bros Before Hos”: The Guy Code.” Guyland. New York: Harper.

Kimmel, Michael. 2008. “Predatory Sex and Party Rape.” Guyland. New York: Harper.


This essay was written and compiled by a student of Dr. Corey Lee Wrenn who wishes to remain unnamed.

Sexism and Speciesism in the Not-So-Female-Friendly Hollywood

speciesism-in-hollywood
The lack of sexual diversity in Hollywood has been a critical issue that gained wide attention among movie lovers and researchers. But, as a recent University of Southern California report shows, a real change in the industry is still required. In particular, Dr Katherine Pieper points out “raised voices and calls for change are important, but so are practical and strategic solutions based on research.”

So how can we implement solutions based on research, such as the one that USC proposes? Is the research showing solutions for all female species?

Research often offers observations and critical analysis of existing case studies. There are several feminist cases to study, such as Julia Roberts not wearing high heels and Alicia Keys not using makeup on the red carpet. Publicity of Angelina Jolie’s mastectomy – the fact that breasts are not essential for her sense of being a woman – generated contested views in feminism. While Jennifer Aniston received attention for her feminist perspectives on the impacts of paparazzi photography, Keira Knightley posed nude to protest against the use of Photoshop and questioned idealistic images of women in Hollywood. Furthermore, Mindy Kaling and Priyanka Chopra have successfully used media channels to represent themselves as women of color in Hollywood, thus resisting in a wider context of social justice.

What else can researchers do apart from studying actions that these female actors have already taken and have also inspired others to do?Well, being a living example of change and bearing witness of violence are essential for social justice. But most fans often shift responsibility to Hollywood actors as idols of our society.

Here, we are not talking about blockbuster films in Hollywood only. One must note that Hollywood is an abstract cultural space where filmmakers and film studies scholars co-exist through material and symbolic modes of communication in shared environments. Furthermore, critical questions on the female are not limited to humans but also apply to animals in our overall environment of social practices. In this respect one of the issues that is rarely addressed is how atrocity in ongoing circumcision of male pigs and grinding of live male chicks is overlooked while exploitation of female reproductive organs e.g., chicken breasts, milk, and eggs is glamorized. These practices lead to normalizing, naturalizing, and legitimizing exploitation of female body parts. The exploitations are completely overlooked in Hollywood representations of a ‘bacon and egg’ breakfast after a steamy sex scene, where female actors are far more exposed and consumed than their male counterparts.

Famous diner scene from "When Harry Met Sally" where Sally fakes an orgasm over a nonvegan sandwich
Now the USC report argues “women were over three times as likely as their male counterparts to be shown partly nude or in sexually revealing clothing”. Why?

In The Sexual Politics of Meat, feminist author Dr Carol Adams points out that sexism and speciesism have the same roots of patriarchal oppression in a class-based society. Unless we use verbal and non-verbal means to resist violence against all females, women will be not only underrepresented but also be animalized.

We cannot fight for the freedom of one while oppressing the ‘Other’ in discourses of the female body. The intersections in sexism show that there is no single issue cause in Hollywood and beyond.

Marilyn Monroe nude in bed wrapped in sheets

So how can we bring much-needed changes in Hollywood representations of women and feminists that fight for diverse social issues? And can we walk the talk?

We need to show intersections – not categorizations. That’s exactly the problem.

We need to show how sexism, classism, speciesism, and ableism among many other ideological practices are interconnected in Hollywood. Using the intersectional approach, we must be a living example of change and resist images and products that support exploitation. As Gandhi says, “be the change you want to see.”

 


samita_nandyDr. Samita Nandy is an award-winning academic, author and cultural critic on fame. With federal and provincial grants valued at $140,000, her research has developed with an aim to reveal meanings of celebrity culture, history of stardom, and celebrity activism. She is the Director of the Centre for Media and Celebrity Studies (CMCS) and author of Fame in Hollywood North.

whyveganism.com

I SPONSORED A PUSSY: Cabbage Chicks and the Politics of Vegan Sexism

Cabbage Chicks

Sexist advocacy is normalized within the Nonhuman Animal rights movement. Most readers are likely aware of the infamous PETA campaigns that use the naked bodies of women to grab attention, but sexually objectifying vegan women “for the animals” might now be the status quo. Case in point: the Cabbage Chicks.

In 2013, a grassroots group based out of Milwaukee tabled the city’s PrideFest featuring two young white women, topless save for a pair of cabbage leaves glued to their breasts. Their nudity was exploited as a teaser to attract visitors, and they awarded stickers to those who took the bait and donated. The stickers read: “I SPONSORED A PUSSY.”

When criticized, the organization insisted that it was unaffiliated with the campaign. Apparently, these women came up with this idea on their own to “help draw attention” to the tent, and “they had fun doing it.” The organization’s president assured that dressing up in vegetable costumes was “empowering.” PETA takes a similar position in response to feminist critique.

Cheers to them, of course, if they indeed had fun and felt empowered, but this is far from an individual act. Naked protesters frequently represent an organization, and organizations clearly condone these stunts by promoting the women’s semi-nude images on social media accounts. Individualizing women’s protest, however, removes culpability and risk. When campaigns succeed, the organization can reap the benefits. When they falter, the individual volunteers can be blamed.

Defending the Campaign

What if men get naked sometimes, too? One organizational representative noted that one man also took his shirt off and helped out: “There was a male dressed up as well, not sexist.” Yet, in our deeply sexist society, the bodies of men and women are not interchangeable. Men’s bodies are interpreted differently, generally in ways that empowers them and reasserts their dominance. Women’s naked bodies have yet to be divorced from the larger structure of degradation and sexual objectification. Again, PETA also deflects with this false equivalent when pressed by feminist critique.

The organization’s president also stated: “I’m not completely making the connection on how this is any different than wearing a swimsuit at a public beach.” Of course, beaches can be sites of oppression for women as well, but for the most part, wearing bathing suits on the beach is not going to draw attention to women in the same way wearing cabbage leaves in an information booth would. While PrideFest is arguably much more nudity-normative, it should be considered that women dressed as food reinforces the notion that women are consumable commodities (isn’t treating vulnerable persons like edible things exactly what activists are hoping nonvegans to get move away from?). The double entendre of the “I SPONSORED A PUSSY” sticker only reinforces the misogynist message.

Contextualizing the Campaign

This stunt is only one of several other problematic campaigns. In another, they had a young woman stand by the side of the road with meat cuts drawn on her naked body. The organization suggested that it was less problematic because it’s “not really sexy,” but using a naked woman’s body to emulate violence against animals is arguably worse.

In another campaign (not staffed by the organization itself, but promoted on its Facebook page), two bloodied women lay prostrate on the ground with a metal pipe by their bodies. A man in black (drawing on the imagery of the stereotypical rapist or murderer) stood over top their “corpses” brandishing a woman’s animal hair coat. This campaign targets female consumers (the primary wearers of “fur”) by drawing on imagery of violence against women. The organization’s response? “AWESOME! Thanks for all that you do for the animals! <3”

The PETA Effect

I share this incident to demonstrate that something systemic is at work here. The use of naked or nearly naked young women (usually white and always thin) and the use of women’s bodies as stand-ins for dead Nonhuman Animals are both increasingly popular tactics resulting from the hegemonic presence of PETA. As the largest Nonhuman Animal rights organization, PETA has the cultural power to define what types of advocacy are popular, expected, and legitimate. Ultimately, PETA is reflecting popular advertising techniques from the business world, those that are developed by men for patriarchal purposes (i.e. “sex sells”). In other words, it is not simply about women’s personal “choice.” Instead, there is a more powerful movement structure working to narrowly define what choices are available to female activists.

Regardless of individual women’s choices, activists should be concerned about the larger implications for women as a demographic. Western society trivializes and even condones rape, and according to RAINN, an American is sexually assaulted every 2 seconds (most of these are victims are women). Psychological and sociological research has shown that sexual objectification of women and trivialization of violence against women is correlated with the devaluation of women and increased violence against women. It even leads women to self-objectify and achieve much lower levels of self-efficacy. Self-efficacy is important, not only in fighting against one’s own oppression, but in feeling worthy enough to participate in social movements . . . including Nonhuman Animal liberation.

What is more, this kind of advocacy does not solicit the desired effects. The tools of misogyny only build more misogyny.

Criticizing these tactics isn’t about policing women’s behavior. Vegan feminism is instead responding to the rape culture that Nonhuman Animal rights organizations perpetuate to the detriment of women. Organizations must accept responsibility for the wider implications of this type of advocacy. Nude campaigns are mostly legal, just like rape jokes are legal, but that does not exempt them from criticism. Shutting down well-meant discussion about the hurt that sexist advocacy causes women is problematic. It is also indicative of how toxic the Nonhuman Animal rights movement has become for women and other vulnerable groups. The bottom line is that activists cannot articulate a clear message of anti-oppression for other animals so long as the movement uncritically exploits and aggravates the oppression of other vulnerable groups.

Here’s a radical notion…what if women didn’t have to be sexy cabbages to advocate for the end of violence against animals? What if women got to be persons? I think a person makes for a better activist than a cabbage any day.

 


Corey Lee WrennDr. Wrenn is the founder of Vegan Feminist Network. She is a Lecturer of Sociology and Director of Gender Studies with Monmouth University, council member with the Animals & Society Section of the American Sociological Association, and an advisory board member with the International Network for Social Studies on Vegetarianism and Veganism with the University of Vienna. She was awarded Exemplary Diversity Scholar 2016 by the University of Michigan’s National Center for Institutional Diversity. She is the author of A Rational Approach to Animal Rights: Extensions in Abolitionist Theory.

whyveganism.com

On Policing Male Allies

Fake Male Feminist

In 2013, I was the victim of an online harassment campaign. It was a cyber mob attack organized to punish me for publicly criticizing a number of sexist comments made by a leading male theorist in the Nonhuman Animal rights movement (he was avidly supporting women’s sexual objection as a valid tactic). I received hundreds of aggressive and often gendered messages in response with the intent of validating the man’s patriarchal position and silencing my feminism (this is a phenomenon that happens with excruciating regularity in online spaces).

It was a frightening, upsetting, and deeply alienating experience. In the height of the chaos, one man appeared among the crowd of sexist barraging to defend my feminist critique. His support came as a great relief to me. It was much needed and much appreciated. While he would later become a good friend of mine, at that time, he was largely unknown to me. Someone amidst the fray immediately responded, labeling him my “partner.” Others responded understandingly: “Oh, that makes sense now.” Men, it seems, can’t be allies without an incentive.

David FutrelleThis experience, as it turns out, is a common one. For instance, David Futrelle of the anti-misogyny blog We Hunted the Mammoth, an online watchdog project tracking “men’s rights” advocacy, is regularly accused of writing about misogyny to “get laid.” It is as though feminist ideas are so wacky and so unimportant that the only reason men would be interested in fighting against sexism and misogyny would be to get something from women. Some men are so completely indoctrinated with the idea that women exist only as a resource that it becomes unfathomable that any man would want to challenge patriarchy. What rational man could actually take feminism seriously?

When men attack other men for promoting or defending feminism, it constitutes gender policing. Masculinity is protected in defining it by what it is not, and it is not feminine. Boys who play with Barbies, enjoy theater, or otherwise fail to “man up” may find themselves chastised. Similarly, boys who advocate gender equality are also chastised. Masculinity necessitates the rejection or devaluation of the feminine. Under patriarchy, there is no room for women’s rights, and there is even less room for traitorous men colluding with marginalized women.

Policing male allies is hurtful for a number of reasons. First, it dismisses the legitimacy of feminism. Feminism is presented as not worth supporting unless it provides men with sexual favors. Second, it reduces masculinity to the tired trope that men are only interested in sex. Third, it often entails emasculating and heterosexist gender policing. Finally, it discourages men’s involvement. Men are acutely aware that supporting feminism threatens their tenuous position in the patriarchal hierarchy and will solicit policing from other men (and some women). None of these consequences are compatible with the goals espoused by a social justice movement.

Although a number of men will feign interest in search of fame, fortune, or sex, to be sure, the truth is that some men really are interested in social justice, and not because of any personal reward. For that matter, faking feminism would prove to be a poor tactic. Many feminist women are not the easiest for patriarchal, chauvinistic men to get along with. They hold their male friends and romantic partners up to a higher standard of integrity (or, some might say, a standard of basic human decency). It is not as easy as posting a pro-feminist statement in a forum and then sitting back and waiting for the ladies to swarm in. Heterosexual feminists are more likely to be attracted to men who understand the issues, genuinely care about the issues, and can be counted on to fight for the issues. It is not something easily faked.

Writing off a man’s support with the ridiculous suggestion that he’s only interested in sex is about as shallow and lazy as calling feminists “man-haters.” It is not true, but for those committed to oppressive systems, truth is not the point. Rather, the point is to silence women and their allies in order to protect patriarchy. I believe that men claiming to be feminists (especially when they have been informed that doing so is appropriative and hurtful) is a problem, but when men are performing their duties as allies, they can be important sources of strength and support. Perhaps it is predictable then, that supporters of sexism will seek to undermine that relationship by digging deeper into sexism, degrading women as sex objects and the men that help them as hormone-driven lackeys.

 

ARationalApproachtoAnimalRights

This essay is a revision of “Are Male Allies Just Trying to Get Laid?” first published on August 1st, 2013 with a now defunct feminist blog. You can read more about gender and anti-speciesist activism in my 2016 publication, A Rational Approach to Animal Rights.

 


Corey Lee WrennDr. Wrenn is Lecturer of Sociology. She received her Ph.D. in Sociology with Colorado State University in 2016. She received her M.S. in Sociology in 2008 and her B.A. in Political Science in 2005, both from Virginia Tech. She was awarded Exemplary Diversity Scholar, 2016 by the University of Michigan’s National Center for Institutional Diversity. She served as council member with the American Sociological Association’s Animals & Society section (2013-2016) and was elected Chair in 2018. She serves as Book Review Editor to Society & Animals and has contributed to the Human-Animal Studies Images and Cinema blogs for the Animals and Society Institute. She has been published in several peer-reviewed academic journals including the Journal of Gender Studies, Feminist Media Studies, Disability & Society, Food, Culture & Society, and Society & Animals. In July 2013, she founded the Vegan Feminist Network, an academic-activist project engaging intersectional social justice praxis. She is the author of A Rational Approach to Animal Rights: Extensions in Abolitionist Theory (Palgrave MacMillan 2016).

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