The Sexual Politics of Vegan Food

Cover for "Crazy Sexy Diet"

Carol Adams has written extensively on the sexual politics of meat, arguing that women and other animals are both sexualized and commodified to facilitate their consumption (both figuratively and literally) by those in power. One result has been the feminization of veganism and vegetarianism.  This has the effect of delegitimizing, devaluing, and defanging veganism as a social movement.

But I argue that this process works within the vegan movement as well, with an open embracing of veganism as inherently feminized and sexualized.  This works to undermine a movement (that is comprised mostly of women) and repackage it for a patriarchal society.  Instead of strong, political collective of women, we have yet another demographic of sexually available individual women who exist for male consumption.

Take a browse through vegan cookbooks on Amazon, and the theme of “sexy veganism” that emerges is unmistakable.

Cover for "Ms. Cupcake:  The Naughtiest Vegan Cakes in Town!" Pictures a piece of cake with a tiny woman in a bikini sitting on top

Ms. Cupcake: The Naughtiest Vegan Cakes in Town!

Cover for "Skinny Bitch: Ultimate Everyday Cookbook" Shows author posing with food dishes

Cover for "Skinny Bitch in Love:  A Novel"

Oftentimes, veganism is presented as a means of achieving idealized body types.  These books are mostly geared to a female audience, as society values women primarily as sexual resources for men and women have internalized these gender norms.  Many of these books bank on the power of thin privilege, sizism, and stereotypes about female competition for male attention to shame women into purchasing.

Cover for "Become a Sexy Vegan Beast:  The Guide to Vegan Bodybuilding, Vegan Nutrition, and Body Fat Loss" Shows woman in a sports bra and shorts with hands on her hips looking behind her

Cover for "Skinny Bitch Fitness:  Boot Camp"

Cover for "Eat Yourselve Sexy", Shows a topless woman with her arms up and behind her head, looking seductively at the camera

Eat Yourself Sexy

Cover for "Appetite for Reduction" A vegan weight loss book. Shows an illustrated woman in vintage style

To reach a male audience, authors have to draw on a notion of “authentic masculinity” to make a highly feminized concept palatable to a patriarchal society where all that is feminine is scorned.  Some have referred to this trend as “heganism.”  The idea is to protect male superiority by unnecessarily gendering veganism into veganism for girls and veganism for boys.  For the boys, we have to appeal to “real” manhood.

Thankfully Meat Is For Pussies (A How-to Guide for Dudes Who Want to Get Fit, Kick Ass and Take Names) appears to be out of print.

Cover for "Skinny Bastard:  A Kick-in-the-Ass for Real Men Who Want to Stop Being Fat and Start Getting Buff"

Skinny Bastard: A Kick-in-the-Ass for Real Men Who Want to Stop Being Fat and Start Getting Buff

Cover for "Eating Veggies Like a Man"

Cover for "Real Men Eat Tofu"

Then there is the popular tactic of turning women into consumable objects in the exact same way that meat industries do.  Animal rights groups recruit “lettuce ladies” or “cabbage chicks” dressed as vegetables to interact with the public.  PETA routinely has nude women pose in and among vegetables to convey the idea that women are sexy food.  Vegan pinup sites and strip joints also feed into this notion.  Essentially, it is the co-optation and erosion of a women’s movement.  Instead of empowering women on behalf of animals, these approaches disempower women on behalf of men.

Image shows two white, tan women back to back wearing lettuce bikinis and opening their mouths wide to insert veggie dogs. Woman facing camera is wearing a Playboy necklace.

Alyssa Milano dressed in vegetables. Reads: "Let Vegetarianism Grow on You."


Corey Lee WrennDr. Wrenn is Lecturer of Sociology. She received her Ph.D. in Sociology with Colorado State University in 2016. She received her M.S. in Sociology in 2008 and her B.A. in Political Science in 2005, both from Virginia Tech. She was awarded Exemplary Diversity Scholar, 2016 by the University of Michigan’s National Center for Institutional Diversity. She served as council member with the American Sociological Association’s Animals & Society section (2013-2016) and was elected Chair in 2018. She serves as Book Review Editor to Society & Animals and has contributed to the Human-Animal Studies Images and Cinema blogs for the Animals and Society Institute. She has been published in several peer-reviewed academic journals including the Journal of Gender Studies, Feminist Media Studies, Disability & Society, Food, Culture & Society, and Society & Animals. In July 2013, she founded the Vegan Feminist Network, an academic-activist project engaging intersectional social justice praxis. She is the author of A Rational Approach to Animal Rights: Extensions in Abolitionist Theory (Palgrave MacMillan 2016).

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Veganism and the Politics of Gender

A reader Alexander Lawrie sent me this story and I thought it made an excellent example of male supremacy and gender policing as a barrier to advancing the interests of women and other animals.  A Scottish newspaper reported that a woman who had ordered a menu item made vegan at a restaurant was mocked by staff.  Her receipt read:  “Vegan Vegan Vegan Pussy.”  The restaurant added insult to injury when they also mocked the woman on their Facebook page

But it doesn’t end there!  The newspaper covering the story actually found the woman’s Facebook page and printed her profile picture along with her full name and place of work.  The additional harassment that followed was severe enough for the paper to moderate comments and remove her photo.

The incident is saturated with misogyny.  Had the victim been male, I expect the reaction would have been similar, though probably with the addition of homophobia.  Under a patriarchy, the domination of others and the consumption of meat is highly masculinized.  Veganism has been feminized not only because vegans are more likely to be women, but also because veganism represents the interests of those who are subjugated to male oppression.  Veganism fights the patriarchy.

We shouldn’t be surprised that a company that profits from Nonhuman Animal exploitation used a speciesist and sexist insult to belittle the woman, nor should we be surprised that the media (which generally exists to protect and reproduce elite interests) only made things worse.  But why was the waitress in on it, too?

In Female Chauvinist Pigs:  Women in the Rise of Raunch Culture (Pardon the speciesist title), Ariel Levy explains that the popularity of “post-feminism” really represents a patriarchal co-optation of woman-centric anti-oppression ideology.  Women are put in competition with one another as they vie for men’s favor.  In a world where maleness is equated with prestige and power, it is often in women’s interests to abandon feminine ties and appeal to masculinity instead.  Deniz Kandiyoti (1988) calls this patriarchal bargaining.  To cope in a world that is hostile to all things feminine, the waitress was looking out for her interests by supporting male values and trashing on the vegan diner.

Of course, this means that men themselves are under enormous pressure to conform to these masculine values.  This commercial for the “Carnivore Club” seeks to reassert male control, male intelligence, and male superiority in the face of encroaching feminine values.

 

This commercial plays on many stereotypes of veganism:  It is for women; it is emasculating, flavorless, and fastidiously healthy.  For men, joining the Carnivore Club promises to protect their dominance, their control over nature, and even their virility (though consuming Nonhuman Animal products is linked to a litany of life-threatening diseases including cardiovascular problems and diabetes, which are leading causes of erectile dysfunction).

Carnivore Club Advert

Framing this product as a “club” is intentional.  The advertisers are hoping to draw on masculinity as a members-only, exclusive space for men who are “in the know.”  Like Fortune 500 CEOs, legislative bodies, media executives, and other boys-only spaces of male privilege, the Carnivore Club invites men to join the ranks of the masculine elite in their rule over the vulnerable.  Indeed, one cannot even access their website without a “member login.”  Notice also the familiar “silly clueless wife” trope so often utilized in commercials, programs, and film.  Women are just too incompetent to realize what their mentally superior male partners are up to.

This is toxic masculinity.  Not only are men encouraged to indulge in dietary behaviors that will cause them illness and death, but women are also encouraged to reject veganism as they strategize for survival in an anti-feminist patriarchy.  And, lest we forget, the biggest losers are the Nonhuman Animals whose oppression is naturalized and whose advocates are mocked, harassed, and silenced.


Corey Lee WrennDr. Wrenn is Lecturer of Sociology. She received her Ph.D. in Sociology with Colorado State University in 2016. She received her M.S. in Sociology in 2008 and her B.A. in Political Science in 2005, both from Virginia Tech. She was awarded Exemplary Diversity Scholar, 2016 by the University of Michigan’s National Center for Institutional Diversity. She served as council member with the American Sociological Association’s Animals & Society section (2013-2016) and was elected Chair in 2018. She serves as Book Review Editor to Society & Animals and has contributed to the Human-Animal Studies Images and Cinema blogs for the Animals and Society Institute. She has been published in several peer-reviewed academic journals including the Journal of Gender Studies, Feminist Media Studies, Disability & Society, Food, Culture & Society, and Society & Animals. In July 2013, she founded the Vegan Feminist Network, an academic-activist project engaging intersectional social justice praxis. She is the author of A Rational Approach to Animal Rights: Extensions in Abolitionist Theory (Palgrave MacMillan 2016).

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Why the “We Use Men, Too!” Excuse Doesn’t Work

In a nutshell:  We do not live in a post-gender society where women’s and men’s bodies are interchangeable.  Men’s bodies are portrayed and perceived in much different ways that women’s bodies.  Women’s bodies are also the vast majority of those bodies that are sexually objectified in the media (over 95%!).  The sexual objectification of women is linked to increased rates of domestic violence and sexual violence against women.

Oftentimes in the Nonhuman Animal rights movement, organizations and their volunteers will vehemently state that their sexual objectification of women is not sexist because they also use men in their campaigning. This doesn’t cut it for two reasons:  1. Women’s bodies are disproportionately sexually objectified in the Nonhuman Animal rights movement just as they are in mainstream media; 2. Men tend to be portrayed in ways that protects their masculinity and social power, whereas women tend to be portrayed in ways that reinforce their submissiveness and sexual availability.

Let’s take a look at some images taken from PETA as examples.  As you peruse them, keep in mind the sexual objectification checklist:

1. Does the image show only part(s) of a sexualized person’s body?

2. Does the image present a sexualized person as a stand-in for an object?

3. Does the image show sexualized persons as interchangeable?

4. Does the image affirm the idea of violating the bodily integrity of a sexualized person who can’t consent?

5. Does the image suggest that sexual availability is the defining characteristic of the person?

6. Does the image show a sexualized person as a commodity that can be bought and sold?

Shows muscular boxer staring at camera wit fists raised.

Tattooed man looks at camera, he is shirtless, hand in fist

Basketball player, shirtless, heavily tattooed, has arms spread out, head faced up, holding a basketball in each hand

Shirtless muscular and hairy man faces camera and has arms folded.

Muscular man staring at camera with hands together in front of him, to display his muscles

Heavily tattooed, shirtless man with one arm to the side and one hand pulling at a chain around his neck. Making a tough face, in a tough posture

Muscular boxer raises fists to the camera, stares into camera

Muscular football player grimacing at camera, flexing muscles as he holds football with two hands

Mike from Jersey Shore shown surrounded by cats, holding a cat, no shirt, very muscular, kneeling, smirking at camera

The common factors in these images are direct eye contact with the camera, a threatening or powerful pose, and display of strength and prowess.  Indeed, many of these pictures demonstrate hyper-masculinity.  Look at the hand positions of these men:  They are demonstrating command over space, command over their body, and command over the viewer.  Men are not being used as objects, and their personhood is protected.  There is no sexual violation, and there is no compromised consent.  They are not shown as interchangeable, and they are not shown as sexually available.  These images don’t say, “Come and get me,” they say, “I’m coming to get you.”

Some images depict naked men, but these are often shown as humorous.  Because sexually objectifying men is so rare and so abnormal for our understanding of masculinity, it becomes funny.

David Cross is naked and on a fashion runway. He is striking a pose and looking at the camera with a silly face.

Steve-O is naked and jumping in the air. We see him from behind. He is making a goofy face. He has a tattoo of himself making that face on his back.

In images where men and women are pictured, the difference is easily spotted.  Notice how this man is facing the camera head on, displaying no vulnerability.  The woman, however, faces the camera from the side, leans on him, and is standing on one foot on tip toe, demonstrating her vulnerability.  Indeed, many mixed-gender images show women leaning on men for support.

Naked man sitting on stool with guitar covering his bottom half, naked woman at his side leaning on him with one leg latched on to him the other on a tip toe. Her head is tilted against his, he is looking straight at the camera.

See also this image where Corey Feldman is facing the camera head on, playing an instrument, and in command of his space.  His wife is shown leaning on him, and looking at the camera from an upturned face.  Much more of her body exposed.  She is not in command of her space, but rather  she is finding support on the man.

Corey Feldman and Susie Feldman in bed. Corey is playing guitar, sitting cross legged on the bed looking straight at the camera. His wife is leaning on him exposing much more skin.

 


Corey Lee WrennDr. Wrenn is Lecturer of Sociology. She received her Ph.D. in Sociology with Colorado State University in 2016. She received her M.S. in Sociology in 2008 and her B.A. in Political Science in 2005, both from Virginia Tech. She was awarded Exemplary Diversity Scholar, 2016 by the University of Michigan’s National Center for Institutional Diversity. She served as council member with the American Sociological Association’s Animals & Society section (2013-2016) and was elected Chair in 2018. She serves as Book Review Editor to Society & Animals and has contributed to the Human-Animal Studies Images and Cinema blogs for the Animals and Society Institute. She has been published in several peer-reviewed academic journals including the Journal of Gender Studies, Feminist Media Studies, Disability & Society, Food, Culture & Society, and Society & Animals. In July 2013, she founded the Vegan Feminist Network, an academic-activist project engaging intersectional social justice praxis. She is the author of A Rational Approach to Animal Rights: Extensions in Abolitionist Theory (Palgrave MacMillan 2016).

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Are You Demanding Respect and Safety or Just Bickering?

Content Warning:  Discusses pornography and sexism.

Not Safe for Work:  Contains coarse language and sexually explicit subject matter.

PETA posted on Vegan Feminist Network today in response to my article that deconstructs their “Veggie Love Casting” campaign.  The campaign depicts young women in bikinis and high heels performing oral sex and other sex acts on vegetables “for the animals.”  The statement is reproduced here. I have emphasized the problematic statements and will unpack them below.

The smart, compassionate women who participated in this spot choose to do so because they supported the idea and wanted to take action to help animals. PETA admires them for that and would never tell them that they must behave a certain way in order to gain someone else’s approval. PETA applauds all that everyone does to help animals and attempts to have something to appeal to everyone.

Not everyone agrees with all of PETA’s tactics–and they can choose not to show our videos if they wish–but surely we can all agree that it’s more effective to focus our time and energy on animal abusers rather than bickering with one another.

If you want to learn more about PETA’s other campaigns, or see our ads featuring men, please visit http://www.PETA.org. Thanks again for all you do to promote vegan living and make the world a kinder place for animals.

A white woman deep-throating a cucumber.

An image from the campaign

PETA claims that it did not tell the women to engage these behaviors, but this is a disingenuous justification. Obviously, PETA designed the campaign and hired the participants. This was not a spontaneous grassroots movement to promote vegetable sex for Nonhuman Animals.  For that matter, is having sex with cucumbers what women are supposed to do if they want to help animals?

In one way, PETA is correct to say that women are not “told” to engage these behaviors. This is because PETA is normalizing sexist advocacy as female-appropriate advocacy. Female-identified activists increasingly enter the Nonhuman Animal rights movement with an understanding of what is to be expected of them (Gail Dines refers to this socialization phenomenon as “porn ready”). Pornified campaigning is now normalized in the political imagination of the movement. It has become taken for granted as useful, despite social psychological research demonstrating that it is not only ineffective, but also counter-productive.

The tropes embedded in PETA’s response work to protect this normalcy and thus warrant discussion.

1. Choice

“Choice” is a loaded concept that generally works to detract from structural inequality and places responsibility on the individual.  It hides privilege and reinforces oppression.

Women “choose” to work in porn because a patriarchal society gives them extremely limited options.  Women make this “choice” because they are raised in this society to understand that their worth is tied up in their sexual attractiveness and their sexual availability (unlike men who are taught that they can succeed with strength, leadership, intelligence, wit, etc.).

The Girls Gone Wild tour bus. Depicts two blonde white women, reads "Do you have what it takes?"

Most porn actresses come from low income and/or abusive households and have extremely short careers (about 3 years, a time span that has been declining dramatically). The vast majority of porn actresses make very little money.  We’re talking about a few hundred bucks for each movie, with a movie deal every few weeks or so. Once they’ve “done it all,” they’re spent, and no longer of use to the industry.  Sound familiar?  That’s exactly how humans treat layer hens and dairy cows: as expendable sexual resources.  Women continue to consent to increasingly degrading, painful, or dangerous sex acts in order to keep in the game as long as possible. The industry exposes women to these precarious and unsafe work conditions with zero job security. If this is the “choice” available to women, something is seriously awry with our labor system.

I’m not blaming these actresses (advocates?) who work for PETA. They’re just doing their job, trying to make a living. Some probably even enjoyed themselves and had fun participating. Instead, I’m blaming the patriarchy that raises women as resources for men. I’m blaming a social movement that is supposed to be about peace but instead exploits women’s vulnerability for fundraising.   Under a patriarchy, the rules of the game are rigged to benefit men at the expense of women (and other vulnerable populations, including Nonhuman Animals).  All women are products of a patriarchy that grooms them to believe:  “Your social worth = Your sex appeal.”

“Choice” relies on a very narrowly defined set of options that patriarchy allows women.  If we want to have a serious discussion of “choice,” I suggest we get a straight answer from PETA as to why they intentionally choose women for fundraising and media attention, and why women are disproportionately placed in degrading scenarios, oftentimes (though not in this case) simulating the horrific suffering and death of a Nonhuman Animal by drawing on scripts of violence against women. Like any pornography, PETA campaigns sexualize the humiliation and hurt of women.

2. Appealing to a Wide Audience

The demographics likely attracted to pornography are not likely to be interested in seriously engaging social justice.  Pornography further entrenches oppression and reinforces the notion that some persons are objects of resource to other, more privileged persons.  Hardly the type of framework we would expect to challenge speciesism. Again, research demonstrates that PETA’s campaigns actually repel viewers who can easily recognize that women are being demeaned.

3. Cricism of Rape Culture as “Bickering”

One in 3 women will be raped, beaten, or otherwise abused at least once in their lifetime. This violence is strongly tied to misogynistic media, and PETA both creates and promotes misogynistic media.  To refer to feminist criticism of this systemic violence as bickering is insulting and trivializing.  Standing up against the violence that I endure, the violence that millions of women endure, is not bickering, it is social justice in action.

4. Men vs. Women

We do not live in a post-gender/post-feminist society.  The bodies of men and women are not viewed or treated similarly.  One cannot say, “We use men, too!” with accuracy. It will not negate the misogyny being engaged in the majority of PETA’s outreach.  Ninety-six percent of the sexual objectification that occurs in the media depicts women.  Women are also many, many times more likely to be victims of rape, sexual abuse, and domestic violence.  It is unfair to disregard sexist depictions of women simply because a man’s body is used from time to time.

This argument is particularly nonsensical in PETA’s case.  PETA’s advertisements featuring men by and large depict men who are in command over their social space, and their power and status is reinforced.  Some of their ads depict men as being silly, Again, there is no serious sexism going on.  We find these ads silly because men are so rarely sexually objectified and portrayed in a submissive position.  Men are not depicted in sexually submissive positions or as victims of violence, only women are.

Take, for instance, this image of a Bollywood actor advocating for PETA.  Notice his confident gaze into the camera, his power over the situation, and his ability to control the space around him and enact change.  Notice the posture that depicts confidence.

Indian Bollywood actor freeing birds. He is shown giving direct eye contact to the camera and displaying his power and strength.

In contrast, examine this typical PETA ad depicting a naked woman.  She is shown in a submissive position, vulnerable, not on her feet, at the mercy of the viewer.  Her eyes do not meet the camera directly, but look up from a down turned face.  She gently touches the rabbit; there is no command over her space.  Her buttocks are raised to denote sexual availability.

Reads "I'd rather show my buns than wear fur." Shows a naked white woman prostrate on the ground touching a rabbit.

The argument that sexism is nonexistent in PETA’s campaigning because nude men are occasionally used as well is a red herring.

We cannot end the objectification of Nonhuman Animals with the objectification of women.  We cannot end violence against Nonhuman Animals with violence against women. It’s time to decolonize the activist schema.

 


Corey Lee WrennDr. Wrenn is Lecturer of Sociology. She received her Ph.D. in Sociology with Colorado State University in 2016. She received her M.S. in Sociology in 2008 and her B.A. in Political Science in 2005, both from Virginia Tech. She was awarded Exemplary Diversity Scholar, 2016 by the University of Michigan’s National Center for Institutional Diversity. She served as council member with the American Sociological Association’s Animals & Society section (2013-2016) and was elected Chair in 2018. She serves as Book Review Editor to Society & Animals and has contributed to the Human-Animal Studies Images and Cinema blogs for the Animals and Society Institute. She has been published in several peer-reviewed academic journals including the Journal of Gender Studies, Feminist Media Studies, Disability & Society, Food, Culture & Society, and Society & Animals. In July 2013, she founded the Vegan Feminist Network, an academic-activist project engaging intersectional social justice praxis. She is the author of A Rational Approach to Animal Rights: Extensions in Abolitionist Theory (Palgrave MacMillan 2016).

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