The Misogyny of Animal Rape Imagery

Trigger Warning:  Discussions of rape.

Dear colleagues,
Many of you may have seen a meme that is floating around called, “Sexual Violation.”  It reads:

Sexual violation of female animal bodies for exploitation, murder and profit.

Animal Agriculture’s shameful standard industry practices.

It is time for the masses to reject these crimes.  LIVE VEGAN.

The image is not reproduced here because it is extremely triggering.  Several species of animals are shown in a variety of compromised positions, as men sexually violate and rape them, the point being that standard animal agricultural practices are similar to the rape of women.  In other words, Nonhuman Animal pornography is being used to promote veganism.

Cow's face is pictured, constrained by ropes and chains

Cow tethered to a “rape rack”

In the caption, the author writes, “I know this is difficult to see.  I take no joy in sharing it.” No joy in sharing it?  Well there’s something behind the rationale of those who have been sharing it…

The entire point of pornography is to titillate via the sexual degradation and humiliation of an oppressed body.  Those who consume pornography are consuming it specifically to “get off,” so to speak, on the demonstrated powerlessness of otherized bodies.  The relationship between the viewer and the viewee is one that reproduces and reinforces a hierarchy of domination.  Pornography users also report experiencing a “tolerance,” meaning increasingly degrading and shocking imagery is needed for them to feel something.  The pornography industry is happy to serve that need by producing increasingly disturbing media.

Male photographers at a pornography convention photographing a woman with her legs spread

So what makes it any different for vegan advocates who share these images with the intention of shocking people with images of violated and degraded animal bodies?  And for that matter, what gives them the right?  What’s stopping them from using images of men raping women to solicit shock value?  Should we also recount graphic tales of other women’s rape to rally for veganism?

I argue that sensationalizing the rape of other animals feeds rape culture and revictimizes women.  While the public may not be aware of the institutionalized rape of Nonhuman Animals, most of us are aware of the epidemic of rape against human women.  Most of us know this from first-hand experience.

Knowing that about 1 in 3 women have or will be raped, I find it extremely inappropriate to utilize rape imagery to promote veganism.  First off, our primary audience is women.  If 80% of the movement is women, and 1 in 3 women are rape victims, that means that more than 27% of our movement (or more than 1 in 4 activists) are likely to have been the victim of rape.  Any rape victim can tell  you, seeing images of rape or reading graphic descriptions is extremely triggering.  It is also revictimizing when it is made obvious that our community doesn’t care enough about our safety to avoid using our experiences for animal rights claims on our behalf.

These types of tactics demonstrate tokenizing.  That is, they appropriate the experiences of an oppressed group for the movement’s purposes, while the movement fails to address the ongoing and continuing oppression that group is still experiencing. What’s worse, the movement itself is responsible for aggravating that oppression.  For example, PETA’s slavery and Holocaust analogies use the horrific experiences of oppressed people of color and Jews for their purposes, but, in doing so, they fail to acknowledge that these memories are not forgotten, but are still hurting. In addition to that blatant insensitivity, PETA is presuming that racism, slavery, and human genocide are things of the past, when they are actually ongoing injustices.  Furthermore, PETA fails to acknowledge the present-day needs of communities of color, often excluding them.  In other words, PETA uses the experiences of the oppressed when it is convenient for them to do so, but they simultaneously haven’t done anything to alleviate those injustices and actually aggravate them.

Outdoor display of several animal rights posters with passerby stopped to read them

PETA’s “Meat Equals Slavery” display

Likewise, the Nonhuman Animal rights movement is a very misogynistic space.  Not only does PETA and other groups like Animal Liberation Victoria, LUSH Cosmetics, and Citizens United For Animals regularly aggravate sexism through their tactics (see our Organization Watch for more examples), but activist spaces themselves are rife with male-on-female violence (See Emily Gaarder’s 2011 release Women and the Animal Rights Movement).  If the movement isn’t going to take violence against women seriously, it has no business using our oppression for its gain.

Recall the author wrote, “I know this is difficult to see.”  The author knew exactly what they were doing.  They wanted to trigger.  Those who utilize memes and arguments that liken Nonhuman Animal rape to women’s rape seem to forget that many people exposed to those arguments are rape victims themselves.  Triggering these memories and trivializing these experiences does nothing to dismantle oppression.  Indeed, they only facilitate it.  It becomes one more means of alienating women from anti-speciesist work. It becomes one more means of solidifying male rule over advocacy spaces.  It works to keep women in a constant state of not-belonging, of victimhood, of hurt.

Recognizing the intersections between human and nonhuman oppression is important, but we have to practice sensitivity in doing so.  Blasting activist spaces with violent pornography is one example of how not to practice sensitivity.


Corey Lee WrennDr. Wrenn is Lecturer of Sociology. She received her Ph.D. in Sociology with Colorado State University in 2016. She received her M.S. in Sociology in 2008 and her B.A. in Political Science in 2005, both from Virginia Tech. She was awarded Exemplary Diversity Scholar, 2016 by the University of Michigan’s National Center for Institutional Diversity. She served as council member with the American Sociological Association’s Animals & Society section (2013-2016) and was elected Chair in 2018. She serves as Book Review Editor to Society & Animals and has contributed to the Human-Animal Studies Images and Cinema blogs for the Animals and Society Institute. She has been published in several peer-reviewed academic journals including the Journal of Gender Studies, Feminist Media Studies, Disability & Society, Food, Culture & Society, and Society & Animals. In July 2013, she founded the Vegan Feminist Network, an academic-activist project engaging intersectional social justice praxis. She is the author of A Rational Approach to Animal Rights: Extensions in Abolitionist Theory (Palgrave MacMillan 2016).

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PETA Names Part-Time Animal Abuser and Misogynist Ricky Gervais Person of the Year

PETA announced that its “Person of the Year” for 2013 is British comedian and actor Ricky Gervais. He’s not even vegan, and he has an obnoxious track record with women as well.

Having once dated a Brit who was positively obsessed with Gervais (he would even shower listening to his radio shows!), I am relatively familiar with his work.  Gervais has a sort of cult-following (mostly men) stemming from several successful television series, movie appearances, radio shows, cartoons, comedy tours, etc.  Most Americans recognize him from the British version of The Office.  I will admit that I find some of his work pretty funny, but most of the time he leaves me scowling in disgust.  He definitely leaves me very confused as to how he made “Person of the Year.”

Why isn’t Gervais Vegan?

After the announcement, Gervais tweeted from his Christmas shopping excursion, posting a photograph from a gourmet cheese shop.  I can also attest, having seen two seasons of his program, An Idiot Abroad (a travel show starring his radio show’s producer Carl Pilkington), his respect for Nonhuman Animals is considerably limited.

Screencap of Gervais' tweet. Shows inside of a cheese shop. Reads: "I'm cheese shopping for Xmas at the moment."

An Idiot Abroad is the brainchild of Gervais and comedic partner Steve Merchant.  Pilkington is infamously grouchy, so the show involves sending him to the far reaches of the world exploring, socializing, and completing tasks at the request of Gervais and Merchant. Many of the episodes feature the graphic torture and death of Nonhuman Animals, usually for jokes at Pilkington’s expense. In one episode, he was made to ride a camel across the desert, though the camel resisted horribly, eventually collapsing. The entourage had to summon a pickup truck to cart the crew and spent camel for the remainder of the journey.

In another episode, Pilkington visits China, where “bizarre” Chinese food was highlighted. Pilkington was specifically sent to a home where a satchel of frogs were killed in front of him (bashed against a stone) and then cooked and served as dinner. This was arranged specifically because he had complained to Gervais and Merchant at the beginning of the show that he would not be eating any “weird” foods. While shooting in South America, they arranged for Pilkington to enter a cross-country running tournament (for which he was doomed to lose) with the life of a goat at stake.

In another country, Pilkington was sent to a snake charmer, where we finally hear Gervais second guess the ethical implications of the plot. He phones Pilkington to inquire whether or not the snakes were treated poorly. Seeing as how it was a tourist trap intended to wow visitors with irate snakes, one can only guess as to their welfare.

These are only a few of many instances of blatant Nonhuman Animal suffering in Gervais’ program. Really, PETA may as well be awarding Andrew Bourdain of No Reservations or Andrew Zimmern of Bizarre Foods.

Screenshot from "An Idiot Abroad," Pilkington examines a live frog in the hand of a Chinese man

Having moaned quite a bit about not wanting to have to eat frogs, Gervais’ program ensures a plastic shopping bag full of frogs are smashed to death in front of him, butchered, then served for dinner.

Rape Jokes and Cunts

Perhaps my first real introduction to Gervais was his stand up special Out of England.  I found myself laughing and enjoying it quite a bit…until he randomly inserted a rape joke.  My stomach knotted and the laughs were over. Amid some glib about endangering an elderly woman while drinking and driving, he blurts: “I nearly knocked this old woman over…but I didn’t. I raped her.”

He’s also a huge fan of using the word “cunt” and “twat” as an insult. While I enjoy a lot of his comedy and his outspokenness about atheism and have tried to follow him on his social networking sites, within about two days I’m sick from seeing misogynistic slurs fill up my newsfeeds and find myself unfollowing him again. I understand that the British are more “free” with their misogynistic slurs (which, to me, is no excuse and would be no different than my attempting to defend my fellow Southerners as freely using the “n-word” because they “don’t mean it like that”), but seriously, Gervais is too much.

Gervais submerged in bathtub with blacked out teeth drinking a beer. He is wearing a homemade hat that has "UGLY CUNT" scrawled on it.

One of Gervais’ infamous bathtub photos

Disableism for Fun

Gervais has also come under criticism for regularly calling people “mongs” (racist British slang for mental retardation; short for Mongoloid). His programs regularly use disability as the butt of jokes as well.  An Idiot Abroad has Pilkington visiting little people “villages,” yogis with severe disfigurements, and other exploitative “tourist attractions.” In Season Three, Pilkington is paired up with actor Warwick Davis, as Davis is a little person and Pilkington is famously fascinated with “freaks.” Of course, the title of the program itself reeks of disableism.

Pilkington and Davis on a bicycle. Warwick is grinning, but Pilkington looks miserable.

Pilkington and Davis on the set of “An Idiot Abroad”

Gervais’ current television success, Derek, stars Gervais as a lovable mentally retarded man living in a nursing home. Something I consider the disability version of blackface.

Pilkington and Gervais on the set of "Derek." Gervais is making a face and has arranged his hair in a stereotypical way to suggest mental retardation.

Pilkington and Gervais on the set of “Derek”

A Confused Movement

Surely no one is perfect, and Gervais has done a lot to raise awareness about the suffering of some animals. But, really, PETA is really setting the bar low this time around. It seems PETA was really happy to see Gervais suggesting that Michelle Bachman, who famously killed a lion on a hunting expedition, be shot herself. Of course, men shoot and kill lions all of the time, but because this was a female celebrity, she made for an easy target…especially for known misogynists like Gervais and PETA.

Gervais' tweet, reads: "I'll pay for each pride of lions to have their own designated sniper on their side. Now it's a sport. Where you brave hunters at now? Haha."

Male committed homicide is one of the leading causes of death for women under 35, a context we should seriously consider when joking about shooting women.

The Nonhuman Animal rights movement is not likely to make any serious headway so long as it celebrates those who enact violence against the vulnerable, be it women, disabled persons, or other animals. PETA and other large non-profits are, for better or for worse, the face of the movement and have a responsibility for upholding our goal for a just world. If PETA is awarding known abusers like non-vegans, slaughterhouse designers, fast food chains, and “meat” industries, what does this say about the integrity of animal rights?

Are You Bringing Racist Cookies to Your Vegan Thanksgiving?

Content Warning: Racism and white-washing of indigenous genocide.

Three toilet paper tubes, one dressed as a native american, two as pilgrims. NA character speaks in broken english: "Medicine man say I must eat no gluten." Pilgram says "My husband has the same problem." Caption: "Small Talk in Early America"

Alright folks, let’s play “Cowboys & Indians.”  Guess who loses again?

In 2013, Liz Lovely (a Vermont-based vegan cookie business) posted the above Thanksgiving meme in their fan club newsletter, and met with a number of well-earned criticisms.

The cartoon depicts a Native American character in cliché garb (headbands are a white Hollywood invention) who speaks with broken English.  The broken English stereotype is meant to emphasize Native American ignorance and white “settler” superiority, while the “Medicine Man” trope also used here draws on the problematic stereotype of the  “mystical Indian.”

Another issue raised in this cartoon is the white-washing of institutionalized violence inflicted on indigenous populations with the arrival of European colonizers. These intruders arrived uninvited, attempted to colonize regions already inhabited by indigenous communities, and almost all of them died from cold, illness, and hunger in this failed attempt at conquest. Local tribes assisted survivors, only for more European boats to arrive with more white people who would soon pass on their deadly diseases, exploit the land, and declare war on the native population. This history is made invisible in the smiling faces of the toilet roll caricatures.

In a nutshell, Liz Lovely, a white-owned company, is exploiting a stereotype of a heavily oppressed indigenous population to sell expensive white people cookies to other white people.

Liz Lovely Owners

So, they boobooed.  It happens. But instead of making it right with a sincere apology and retraction, they made it worse. Way worse.

Following complaints, the cartoon was deleted and Liz Lovely followed up with a mean-spirited not-pology to clear the air (emphasis added):

Message from Cowboy Dan:

First, let me apologize for unintentionally offending Native Americans (and somehow also people who are not Native American, but are extremely sensitive). I am not a racist, I am not ignorant of the plight of Native Americans, and I was not seeking to degrade their heritage.

I knowingly played on a well-established media stereotype to make a silly joke about the first Thanksgiving, assuming the construction paper cutouts would tip people off that it was meant to be ridiculous ~ like an SNL skit for example.

This is not the first content-complaint I’ve received on the fan club. Although, this may be the most well-founded. And while Liz and I like our sense of humor, we understand that it’s not for everyone.

So moving forward, the fan club will be simpler [ . . . ]

Thank you so much for being fans and supporters.

Liz Lovely is sorry that the reader took offense.  So, it is not really sorry at all.  It’s the reader’s fault for being offended, not Liz Lovely’s for offending you. See, “Cowboy Dan” “gets” the issues, and his post was so obviously “ridiculous,” it doesn’t count as racism. After all, these racist stereotypes are “well-established,” so what’s the harm? Cowboy Dan does not identify as a racist, so that means he can’t be racist.

But simply declaring yourself not racist does not actually make you not racist . . . it’s your actions that define you.

By signing off with a thanks to fans and supporters, Cowboy Dan insinuates that his intended or perceived audience is a white one. Liz Lovely makes it clear that the message is really intended for those who are either 1) not Native American, or, 2) persons of color who respect white supremacy; those who are not “extremely sensitive” and can “take a joke.”

The content of the comments on Liz Lovely’s Facebook page that followed the announcement attest to the boundary work of this white space. For instance, one theme was the elevation of cookies over injustice:

Love your humor….but really LOVE THOSE COOKIES!!!

Can’t we all just get along for the sake of DELICIOUS COOKIES!!

Another theme was the dismissal of racism:

People need to stop being so damn sensitive. Bunch of stupid, ugly, butt hurt losers.

I didn’t see it, but am aware that in general society has become far too sensitive. You make a fantastic product, I find you guys to be pretty funny. You can’t please everyone.

Unsubscribe if you’re that easily offended so the rest of us don’t have to walk on egg shells around you!

Seriously, people … if you’re that easily offended, how do you survive in this world? Get over yourselves. It’s a joke. So you didn’t find it funny. Have a cookie and move on.

Those who mind don’t matter and those who matter don’t mind. If we’re looking for a reason to be offended, we’ll always find one. Words to live by from two of my favorite people, Dr. Seuss and Wayne Dyer. BTW, I love your cookies!!

People are WAY TOO SENSITIVE and need to calm down! Being “politically correct” has gone over the top.

And “reverse racism”:

Why is no one offended about the pilgrims?

Because pilgrims are white, and everyone knows any sort of racist tones don’t apply to white people.

Finally, don’t like it? Go elsewhere:

Wow now people are analyzing the sincerity of an apology for a humorous and post that was deleted? Like that was really the most bothersome thing you saw online today – Grow up! If it bothered you that much unlike the page and spend your $ elsewhere.

…which is exactly what countless oppressed persons of color who are regularly made to feel unwelcome in vegan spaces frequently do.

It should be no wonder as to why veganism is viewed as pretentious, elitist, and frivolous when racism is openly supported and people of color are harassed, marginalized, or erased entirely.

 

Note:  The Food Empowerment Project does not recommend Liz Lovely Cookies because it does not source its chocolate ethically.  Much of the world’s chocolate comes from child slavery.


Corey Lee WrennDr. Wrenn is Lecturer of Sociology. She received her Ph.D. in Sociology with Colorado State University in 2016. She received her M.S. in Sociology in 2008 and her B.A. in Political Science in 2005, both from Virginia Tech. She was awarded Exemplary Diversity Scholar, 2016 by the University of Michigan’s National Center for Institutional Diversity. She served as council member with the American Sociological Association’s Animals & Society section (2013-2016) and was elected Chair in 2018. She serves as Book Review Editor to Society & Animals and has contributed to the Human-Animal Studies Images and Cinema blogs for the Animals and Society Institute. She has been published in several peer-reviewed academic journals including the Journal of Gender Studies, Feminist Media Studies, Disability & Society, Food, Culture & Society, and Society & Animals. In July 2013, she founded the Vegan Feminist Network, an academic-activist project engaging intersectional social justice praxis. She is the author of A Rational Approach to Animal Rights: Extensions in Abolitionist Theory (Palgrave MacMillan 2016).

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Veganism and the Politics of Gender

A reader Alexander Lawrie sent me this story and I thought it made an excellent example of male supremacy and gender policing as a barrier to advancing the interests of women and other animals.  A Scottish newspaper reported that a woman who had ordered a menu item made vegan at a restaurant was mocked by staff.  Her receipt read:  “Vegan Vegan Vegan Pussy.”  The restaurant added insult to injury when they also mocked the woman on their Facebook page

But it doesn’t end there!  The newspaper covering the story actually found the woman’s Facebook page and printed her profile picture along with her full name and place of work.  The additional harassment that followed was severe enough for the paper to moderate comments and remove her photo.

The incident is saturated with misogyny.  Had the victim been male, I expect the reaction would have been similar, though probably with the addition of homophobia.  Under a patriarchy, the domination of others and the consumption of meat is highly masculinized.  Veganism has been feminized not only because vegans are more likely to be women, but also because veganism represents the interests of those who are subjugated to male oppression.  Veganism fights the patriarchy.

We shouldn’t be surprised that a company that profits from Nonhuman Animal exploitation used a speciesist and sexist insult to belittle the woman, nor should we be surprised that the media (which generally exists to protect and reproduce elite interests) only made things worse.  But why was the waitress in on it, too?

In Female Chauvinist Pigs:  Women in the Rise of Raunch Culture (Pardon the speciesist title), Ariel Levy explains that the popularity of “post-feminism” really represents a patriarchal co-optation of woman-centric anti-oppression ideology.  Women are put in competition with one another as they vie for men’s favor.  In a world where maleness is equated with prestige and power, it is often in women’s interests to abandon feminine ties and appeal to masculinity instead.  Deniz Kandiyoti (1988) calls this patriarchal bargaining.  To cope in a world that is hostile to all things feminine, the waitress was looking out for her interests by supporting male values and trashing on the vegan diner.

Of course, this means that men themselves are under enormous pressure to conform to these masculine values.  This commercial for the “Carnivore Club” seeks to reassert male control, male intelligence, and male superiority in the face of encroaching feminine values.

 

This commercial plays on many stereotypes of veganism:  It is for women; it is emasculating, flavorless, and fastidiously healthy.  For men, joining the Carnivore Club promises to protect their dominance, their control over nature, and even their virility (though consuming Nonhuman Animal products is linked to a litany of life-threatening diseases including cardiovascular problems and diabetes, which are leading causes of erectile dysfunction).

Carnivore Club Advert

Framing this product as a “club” is intentional.  The advertisers are hoping to draw on masculinity as a members-only, exclusive space for men who are “in the know.”  Like Fortune 500 CEOs, legislative bodies, media executives, and other boys-only spaces of male privilege, the Carnivore Club invites men to join the ranks of the masculine elite in their rule over the vulnerable.  Indeed, one cannot even access their website without a “member login.”  Notice also the familiar “silly clueless wife” trope so often utilized in commercials, programs, and film.  Women are just too incompetent to realize what their mentally superior male partners are up to.

This is toxic masculinity.  Not only are men encouraged to indulge in dietary behaviors that will cause them illness and death, but women are also encouraged to reject veganism as they strategize for survival in an anti-feminist patriarchy.  And, lest we forget, the biggest losers are the Nonhuman Animals whose oppression is naturalized and whose advocates are mocked, harassed, and silenced.


Corey Lee WrennDr. Wrenn is Lecturer of Sociology. She received her Ph.D. in Sociology with Colorado State University in 2016. She received her M.S. in Sociology in 2008 and her B.A. in Political Science in 2005, both from Virginia Tech. She was awarded Exemplary Diversity Scholar, 2016 by the University of Michigan’s National Center for Institutional Diversity. She served as council member with the American Sociological Association’s Animals & Society section (2013-2016) and was elected Chair in 2018. She serves as Book Review Editor to Society & Animals and has contributed to the Human-Animal Studies Images and Cinema blogs for the Animals and Society Institute. She has been published in several peer-reviewed academic journals including the Journal of Gender Studies, Feminist Media Studies, Disability & Society, Food, Culture & Society, and Society & Animals. In July 2013, she founded the Vegan Feminist Network, an academic-activist project engaging intersectional social justice praxis. She is the author of A Rational Approach to Animal Rights: Extensions in Abolitionist Theory (Palgrave MacMillan 2016).

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Jamie Kilstein, Vegan Male “Feminist” Explains Feminism to “Dumb” Women

Content Warning: Contains ableist language and male-on-female aggression 

Not Safe for Work: Contains cursing.

Jamie Kilstein

By Professor Corey Lee Wrenn

Jamie Kilstein, comedian and co-host of Citizen Radio, announced that he would be doing an interview with PETA and PETA 2.  A feminist questioned him on this, asking why he chooses to collaborate with a notoriously misogynistic organization.  He then proceeded to dismiss her and berate her.

KilsteinIn the middle of the above interaction, Kilstein peeked into her profile, which listed her interest in Marxism.  He then referenced it, insinuating that she was “dumb.”

Kilstein 3

Kilstein then reminded readers that he’s discussed PETA’s sexism and fat-shaming on the show.  For that matter, PETA has done awesome things for the kids.  His dismissive and aggressive reaction insinuates that women who continue to have a problem with his position are demonstrating ignorance and simply don’t understand the wonderful things PETA has done.

Kilstein-21

PETA promotes violence against women and girls by regularly using pornified images of women and girls to represent either violence against women and girls or violence against animals. How many episodes of his show do we have to listen to before we understand that supporting PETA is consistent with feminism?  How many episodes until we find his behavior towards women acceptable?

Kilstein 4

This is not the first time I’ve gotten an uneasy feeling about Kilstein.  He once posted that he found men’s rights advocates (a hate group) “funny.”  I replied saying that, as a woman,  I didn’t find them very funny at all, but rather quite terrifying. He responded with condescension, gas lighting, and mocking.  Like the woman above, and he also told me that I must not listen to his show. Again, he positions feminist criticisms as a matter of ignorance or irrationality.

This man has made a career from feminism, but he approaches honest feminist criticism of his decidedly anti-feminist behavior with abuse and aggression.  This behavior is what is referred to as tokenizing. Tokenizing is when men use women’s experiences for their own personal gain while simultaneously doing little to challenge gender oppression.  Kilstein makes fun of sexism in his stand-up, then signs on to Twitter after the show and berates women who find it problematic that he collaborates with organizations that routinely hurt women.

When men self-identify as feminists, this is generally the result. Too often, they have little understanding about women’s experiences, and, sometimes, are the very perpetrators women are seeking to escape. Self-identified male feminists generally use this feminist identity to shield their sexist behavior (and there is also a frightening trend in men using feminism to sexually harass and assault women). Read more on why I argue that men cannot be feminist here and how men can be better allies here.

 


Corey Lee WrennMs. Wrenn is the founder of Vegan Feminist Network and also operates The Academic Abolitionist Vegan. She is a Lecturer of Sociology with Monmouth University, a part-time Instructor of Sociology and Ph.D. candidate with Colorado State University, council member with the Animals & Society Section of the American Sociological Association, and an advisory board member with the International Network for Social Studies on Vegetarianism and Veganism with the University of Vienna. She was awarded the 2016 Exemplary Diversity Scholar by the University of Michigan’s National Center for Institutional Diversity. She is the author of A Rational Approach to Animal Rights: Extensions in Abolitionist Theory (2015, Palgrave Macmillan).

Male Entitlement, Meat, and Sports

Not long ago, the Vegan Feminist Agitator published a piece on rape, meat,1 and “taking what is not ours.”  Marla writes:

In both rape and our role in oppressing animals, both can be framed as a birthright (“They were born for me to use as I wish,”) and as what is one’s due (“I spent money and this is what is owed me,”) and also presented in a way that completely belittles the experience of the victim (“Come on, don’t be so melodramatic; it wasn’t that bad.”). Only a sadistic psychopath would use such terms to justify violating another person, but we accept those terms without question on a daily basis involving the animals we consume. Underpinning both rape and eating animals, though, is the conceit that because we can do something, this confers the right to do it, no matter who is harmed or killed in the process.

Under patriarchy, that is, under male rule, feminized bodies (women, nonhuman animals, people of color, the environment, etc.) are understood to be resources.  Under patriarchy, the male ruling class is socialized to internalize their entitlement over their subjects.  Women exist to give sex, if they don’t give it, then it should be taken from them.  Animals exist to use and eat, we take that from them.  People of color exist as cheap or free labor, and that is also taken from them.  The environment is reframed as our “natural resources,” something to be freely taken.  In other words, the world is man’s oyster.  Notice even this phrase frames Nonhuman Animals and the environment as a birthright to men!

Remember in The Lion King when Mufasa explained to baby Simba that everything the light touches is theirs?  That’s kind of how male supremacy works.  It’s an unrestricted entitlement to everything, and it’s an entitlement that is taught.

Mufasa and Simba overlook their kingdom

This afternoon while I was working, football was playing on the television in the other room.  One of the commercials caught my attention.  I was hearing a man yelling at another man, “Are you a little baby boy, or are you a BIG STRONG MAN?”  Hearing this male-on-male gender policing is always disconcerting, but in the context of football, a hyper-masculinized activity, I was especially bothered.  Upon investigation, it turned out to be a commercial from Buffalo Wild Wings, a sports bar and restaurant chain that attracts groups of men who want to watch the game, gawk at young underpaid waitresses, and stuff themselves with the body part of chickens glazed with various sauces (BWW is really just a less sexist, less atrocious version of Hooters).  In this commercial, there was one piece of chicken body left, and the male subject was afraid to take it and offend his friends who were distracted and watching the game.  A football coach had sidled in and was belittling him for not living up to his masculine role.  The man reacts and stands up to reassert his masculinity.  He announces that he is a MAN and takes the piece of chicken.

Jackson Katz has written extensively on the dangers of male gender policing, that is, pushing men into tiny boxes that equate manhood with aggression, violence, and domination.  Not only do fathers, brothers, and other male peers take it upon themselves to teach and enforce “manhood” to other boys and men, but our media is constantly bombarding us with these norms (and the subsequent shame and other consequences associated with failing to uphold those norms).  Katz argues that masculinity (like all gender roles) is something that is taught.  It is not an innate, testosterone-driven tendency towards oppression (oppression is often naturalized, thus making it difficult to criticize).  Rather, it is a socially supported, systematic reinforcement of a male supremacist social rule.  Vulnerable groups are not only taught to submit, but privileged groups are taught to dominate.  Both are encouraged to view it as natural and normal, that is, if this largely invisible power structure is ever jostled into view in the first place.

Football Violent

In the BWW commercial, the coach firmly reminds the male subject, “You know that one’s yours, right?”  He asks if he is just a slow eater or if he is “not man enough to claim what’s rightfully yours?”  This is sending a very clear message to male viewers:  You are entitled, so if you don’t get what is rightfully yours, then be a man and take it.  As men come together to celebrate the highly competitive and violent American football games (with grossly underpaid cheerleaders in bikinis with pompoms happily bouncing around for their enjoyment), the game and the commercials remind them that manhood is defined by fighting for one’s entitlement to absolute ownership.  The chicken is yours, it is rightfully yours.

The preoccupation with meat in this context is not coincidental.  Carol Adams’2 theory on the sexual politics of meat suggests that Nonhuman Animals, a highly feminized group, are fetishized as the ultimate “man food.”  Men kill, grill, and stuff themselves with corpses with great celebration.  It is the taking of something (once a someone, someone who was quite unwilling, though often portrayed as very willing indeed) that gives them pleasure.  Male domination is seen as an entitlement, as something enjoyable and natural. A bonding experience.  Maria Veri and Rita Liberti tackle the sexual politics of meat in the sport wellspring of male supremacy in their 2013 publication “Tailgate Warriors: Exploring Constructions of Masculinity, Food, and Football.”  They write:  “[ . . . ] the mediated pairing of food and football in TWs [a football cooking show] action on the blacktop reinforces hegemonic masculinity as it displaces and marginalizes women and femininity” (242).  Meat, they suggest, is a symbol of this male supremacy and women are largely excluded from sports-related meat rituals (like cook-offs and tailgating).

Stacked plates of cooked chicken wings

In all the hoopla over male greatness embodied in plates of dead chickens, pornified women, football games, beer, and yelling, the voices of the tortured dead are conspicuously silent.  No one hears the hen and no one sees the hen.  She is invisible.  According to Carol Adams, she is an absent referent.  We know we are eating something of course, but we are completely oblivious to the someone she once was.  And who cares anyway?  “It’s” rightfully yours, isn’t “it”?

Sickly looking chickens in a factory farm setting

Notes

1.  It is important to note that “meat” is a euphemism for animal flesh.

2.  See our recommended reading section to learn more about Adams’ theory.


Corey Lee WrennDr. Wrenn is Lecturer of Sociology. She received her Ph.D. in Sociology with Colorado State University in 2016. She received her M.S. in Sociology in 2008 and her B.A. in Political Science in 2005, both from Virginia Tech. She was awarded Exemplary Diversity Scholar, 2016 by the University of Michigan’s National Center for Institutional Diversity. She served as council member with the American Sociological Association’s Animals & Society section (2013-2016) and was elected Chair in 2018. She serves as Book Review Editor to Society & Animals and is a member of the Research Advisory Council of The Vegan Society. She has contributed to the Human-Animal Studies Images and Cinema blogs for the Animals and Society Institute and has been published in several peer-reviewed academic journals including the Journal of Gender Studies, Environmental Values, Feminist Media Studies, Disability & Society, Food, Culture & Society, and Society & Animals. In July 2013, she founded the Vegan Feminist Network, an academic-activist project engaging intersectional social justice praxis. She is the author of A Rational Approach to Animal Rights: Extensions in Abolitionist Theory (Palgrave MacMillan 2016).

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