PETA Applauds Horrific Maroon 5 Video Glamorizing Violence Against Women

Trigger Warning:  Post contains images and discussion of violence against women.

Lead singer Adam Levine holds a reclining woman. Both are naked and covered in blood

PETA has a rich history of using explicit violence against women to promote Nonhuman Animal rights, a tactic that has been spreading to other organizations that follow PETA’s example. In 2013, a PETA commercial depicted a scantily-clothed model in a locked car dying a sexy death to raise awareness for dogs vulnerable to heat exhaustion in the summer. LUSH hosted an anti-vivisection street demo featuring a woman in a nude suit enduring 10 hours of torture that culminated in her simulated death. Animal Liberation Victoria campaigns against vivisection and whaling by positioning women in various states of undress, doused in blood for public spectacle. Many of PETA’s print ads feature sexualized women in pain, often bloodied or dismembered. In addition to PETA’s 20-year campaign of sexually objectifying young white women “for the animals,” it is clear that misogyny has become an anti-speciesist tactic of choice.

Image depicts the upper body of a woman butchered and hanging on a meat hook. Reads: “Hooked on meat? Go veg.”

PETA seems pleased that others capitalize on sexualized violence against women as well.  “Animals,” a new video release by American pop band Maroon 5, has come under severe scrutiny by feminists who are aghast at the video’s glamorization of stalking and violence against women. Indeed, as the lead singer/stalker Adam Levine (People magazine’s “Sexiest Man Alive” 2013) is also portrayed as a butcher and the sexualized body parts of the female love interest (his “prey”) are juxtaposed with the fragmented, bloody body parts of Nonhuman Animals,  the video brilliantly exemplifies vegan feminist theories of intersecting oppression.  Despite the loud outcry from feminist and anti-domestic violence communities concerned with the impact this video may have on dating norms, rape culture, and women’s safety, it turns out that images of blood-soaked naked women in danger are right up PETA’s alley. PETA spokesperson Ben Williamson reports to MSN:

Actually, we think Adam does a very convincing job of making slaughterers look deranged… If anything, the video doesn’t go far enough in showing the bloody horror of the meat industry and the misery that animals endure before their carcasses end up on a meat hook or butcher’s chopping block… We’re all ‘Animals,’ but anyone upset by the bloody scenes in the video had better opt out of real life violence by choosing to be a compassionate, vegan animal!

Typical of sexist advocacy in Nonhuman Animal rights, PETA is pulling on misogyny to scare or shame women into compliance. If women are “upset” by exposure to male violence, they “had better” go vegan.

Using images of violence against women should never be an acceptable form of advocacy in a world where violence against women is real, lived, and on-going.  Most women will experience violence at the hands of men at least once in their lives, and all women suffer the constant threat of it. The statistics for harassment, stalking, assault, rape, and homicide are staggering. Given this reality, these approaches are nothing short of unethical and irresponsible. By stepping in to defend the Maroon 5 video (what feminists are calling “this year’s ‘Blurred Lines’“), PETA is actively aggravating the distrust many women harbor for the stereotypically sexist Nonhuman Animal rights movement.

Incidentally, PETA’s comment that “slaughterers look deranged” is extremely disableist, classist, and racist. Slaughterhouse work is the most dangerous profession in the United States; and it is grossly underpaid with the highest turnover rate. What this means is that lower class persons, non-native persons, uneducated or illiterate persons, mentally disabled persons, non-English speaking persons, people of color, and other vulnerable groups are pushed into these jobs. Using disableist rhetoric to describe human victims of industrialized food systems further alienates marginalized communities and puts Nonhuman Animal rights activism in an ugly light.

With so many peaceful and creative ways to advocate against speciesism, I reject the movement’s insistence on exploiting systemic violence against women, poor persons, disabled persons, persons of color, etc. Such an approach is inherently limited and can only alienate potential allies.


Corey Lee WrennDr. Wrenn is Lecturer of Sociology. She received her Ph.D. in Sociology with Colorado State University in 2016. She received her M.S. in Sociology in 2008 and her B.A. in Political Science in 2005, both from Virginia Tech. She was awarded Exemplary Diversity Scholar, 2016 by the University of Michigan’s National Center for Institutional Diversity. She served as council member with the American Sociological Association’s Animals & Society section (2013-2016) and was elected Chair in 2018. She serves as Book Review Editor to Society & Animals and has contributed to the Human-Animal Studies Images and Cinema blogs for the Animals and Society Institute. She has been published in several peer-reviewed academic journals including the Journal of Gender Studies, Feminist Media Studies, Disability & Society, Food, Culture & Society, and Society & Animals. In July 2013, she founded the Vegan Feminist Network, an academic-activist project engaging intersectional social justice praxis. She is the author of A Rational Approach to Animal Rights: Extensions in Abolitionist Theory (Palgrave MacMillan 2016).

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Prison Rape and the Sexual Politics of Meat

Billboard that reads "The Freshes Meat outside the prison"

The above image was taken on Hennepin Avenue in Minneapolis, Minnesota.  The billboard pictured reads, “The Freshest Meat Outside of a Prison,” and advertises a fusion restaurant called Chino Latino.  The mocking reference to prison rape is both saddening and telling.

Though we often critique patriarchy in relationship to female disempowerment and violence against women, it is also true that the rape culture evidenced in advertisements like that of Chino Latino celebrate male violence in ways that hurt vulnerable men as well.  Rates of rape in the prison system (an institution that targets primarily men) are astronomically high.  Victimization is tied to severe emotional trauma, but also increased exposure to disease given the closed nature of the institution.  Gay men and transgender persons are extremely vulnerable to assault, but all men are at high risk within the hyper-masculinized and violent environment of the prison system.

Prison rape is a feminist issue for several reasons. First, male-on-male rape is a product of patriarchy and normalized male entitlement to vulnerable bodies.  Second, prisoners are, in many ways, feminized bodies. That is, they are disempowered persons who have been stripped of their agency and identity.  They generally fall into the “feminine” category within society’s masculine/feminine dichotomy.  They become deindividualized and are controlled and exploited by a capitalist/patriarchal institution (the privatized prison system is highly lucrative, relying on an inmate work force that is paid in pennies and cannot unionize).  Many are mentally ill when arrested or become mentally ill from the incarceration experience.  Imprisoned persons are often forcibly medicated.  Imprisoned persons are also forced to wear demeaning uniforms meant to deindividualize or humiliate them. Many are kept in solitary confinement to prevent meaningful and healthy social interactions or relationships.

Pink Uniforms Jail

Third, the prison system is notoriously racist and classist, meaning that poor persons and persons of color are disproportionately targeted for imprisonment.  Beginning in the 1970s, this trend increased significantly after the end of legalized slavery and the share-cropping system.  Previous economic forms of enslavement were simply replaced with the for-profit prison system.

Finally, of course, female prisoners experience high levels of rape as well, particularly from male prison staff.  Too often, the experiences of imprisoned persons are written off because these persons are presumed to “get what they deserve.”  This ideology, however, ignores the role of systemic oppression, gross violations of human rights, and the intentional targeting of vulnerable groups.

The Chino Latino advertisement makes light of this horrific system and plays on the rape of vulnerable, deindividualized and feminized bodies to sell the body parts of vulnerable, deindividualized and feminized bodies in the form of “meat.”  Exploiting and consuming the bodies of those who cannot consent is funny . . . and sexy . . .

The sexual politics of Chino Latino food is unmistakable. On their website, you are invited to look at “sexy pictures” and “hot shots” of their food and drinks.  Many of these images display the corpses of Nonhuman Animals in all varieties of dismemberment and display.

Screencap from website that shows a large piece of animal flesh being sliced. Labeled under "Sexy pictures!!" and "Hot shots"The advertisement for their party room (a webpage entitled, “Explore Our Private Parts – It’s Okay to Stare”) proclaims:

We don’t like to brag, but why be coy? For parties and private events, Chino Latino is unusually well-endowed, with five unique spaces.

One suggested use (there was no mention of any female equivalent, such as a bridal shower):

[ . . . ] have us host a bachelor party the groom won’t remember to regret.

In other words, spaces where “meat” is served and consumed are considered male spaces, and the products are framed as feminized and waiting for male penetration.

The consumption of animal bodies is embedded within the patriarchal language and imagery of sexualized entitlement to and domination over feminized bodies, be they imprisoned persons, women, or other animals.  The references to rape and voyeurism denotes the right of persons of privilege to the private and personal spaces of vulnerable persons.  They become objects of resource and enjoyment; their individual agency is obscured and ignored.

The institutionalized and epidemic levels of violence, rape, and death imposed on imprisoned persons (primarily poor persons and persons of color charged with drug offenses), women, and Nonhuman Animals is neither funny nor sexy.  That a billboard like this could be posted at all indicates how ingrained rape culture and patriarchal values have become.  The presence of these messages demonstrates how the public space is, by default, the male space, maintaining a rigid gender/class/race/species stratification system.

 

References to the sexual politics of meat in this essay are based on the work of Carol Adams, author of The Sexual Politics of Meat, The Pornography of Meat, and other vegan feminist titles.

 

The Sexual Politics of Vegan Food

Cover for "Crazy Sexy Diet"

Carol Adams has written extensively on the sexual politics of meat, arguing that women and other animals are both sexualized and commodified to facilitate their consumption (both figuratively and literally) by those in power. One result has been the feminization of veganism and vegetarianism.  This has the effect of delegitimizing, devaluing, and defanging veganism as a social movement.

But I argue that this process works within the vegan movement as well, with an open embracing of veganism as inherently feminized and sexualized.  This works to undermine a movement (that is comprised mostly of women) and repackage it for a patriarchal society.  Instead of strong, political collective of women, we have yet another demographic of sexually available individual women who exist for male consumption.

Take a browse through vegan cookbooks on Amazon, and the theme of “sexy veganism” that emerges is unmistakable.

Cover for "Ms. Cupcake:  The Naughtiest Vegan Cakes in Town!" Pictures a piece of cake with a tiny woman in a bikini sitting on top

Ms. Cupcake: The Naughtiest Vegan Cakes in Town!

Cover for "Skinny Bitch: Ultimate Everyday Cookbook" Shows author posing with food dishes

Cover for "Skinny Bitch in Love:  A Novel"

Oftentimes, veganism is presented as a means of achieving idealized body types.  These books are mostly geared to a female audience, as society values women primarily as sexual resources for men and women have internalized these gender norms.  Many of these books bank on the power of thin privilege, sizism, and stereotypes about female competition for male attention to shame women into purchasing.

Cover for "Become a Sexy Vegan Beast:  The Guide to Vegan Bodybuilding, Vegan Nutrition, and Body Fat Loss" Shows woman in a sports bra and shorts with hands on her hips looking behind her

Cover for "Skinny Bitch Fitness:  Boot Camp"

Cover for "Eat Yourselve Sexy", Shows a topless woman with her arms up and behind her head, looking seductively at the camera

Eat Yourself Sexy

Cover for "Appetite for Reduction" A vegan weight loss book. Shows an illustrated woman in vintage style

To reach a male audience, authors have to draw on a notion of “authentic masculinity” to make a highly feminized concept palatable to a patriarchal society where all that is feminine is scorned.  Some have referred to this trend as “heganism.”  The idea is to protect male superiority by unnecessarily gendering veganism into veganism for girls and veganism for boys.  For the boys, we have to appeal to “real” manhood.

Thankfully Meat Is For Pussies (A How-to Guide for Dudes Who Want to Get Fit, Kick Ass and Take Names) appears to be out of print.

Cover for "Skinny Bastard:  A Kick-in-the-Ass for Real Men Who Want to Stop Being Fat and Start Getting Buff"

Skinny Bastard: A Kick-in-the-Ass for Real Men Who Want to Stop Being Fat and Start Getting Buff

Cover for "Eating Veggies Like a Man"

Cover for "Real Men Eat Tofu"

Then there is the popular tactic of turning women into consumable objects in the exact same way that meat industries do.  Animal rights groups recruit “lettuce ladies” or “cabbage chicks” dressed as vegetables to interact with the public.  PETA routinely has nude women pose in and among vegetables to convey the idea that women are sexy food.  Vegan pinup sites and strip joints also feed into this notion.  Essentially, it is the co-optation and erosion of a women’s movement.  Instead of empowering women on behalf of animals, these approaches disempower women on behalf of men.

Image shows two white, tan women back to back wearing lettuce bikinis and opening their mouths wide to insert veggie dogs. Woman facing camera is wearing a Playboy necklace.

Alyssa Milano dressed in vegetables. Reads: "Let Vegetarianism Grow on You."


Corey Lee WrennDr. Wrenn is Lecturer of Sociology. She received her Ph.D. in Sociology with Colorado State University in 2016. She received her M.S. in Sociology in 2008 and her B.A. in Political Science in 2005, both from Virginia Tech. She was awarded Exemplary Diversity Scholar, 2016 by the University of Michigan’s National Center for Institutional Diversity. She served as council member with the American Sociological Association’s Animals & Society section (2013-2016) and was elected Chair in 2018. She serves as Book Review Editor to Society & Animals and has contributed to the Human-Animal Studies Images and Cinema blogs for the Animals and Society Institute. She has been published in several peer-reviewed academic journals including the Journal of Gender Studies, Feminist Media Studies, Disability & Society, Food, Culture & Society, and Society & Animals. In July 2013, she founded the Vegan Feminist Network, an academic-activist project engaging intersectional social justice praxis. She is the author of A Rational Approach to Animal Rights: Extensions in Abolitionist Theory (Palgrave MacMillan 2016).

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“Booth Babes” Bad for Business & Animal Rights

Two teenagers in mini-dresses pose on a PETA Youth booth offering "Free hugs"

The animal rights movement loves using young women to sell veganism, but whether or not this tactic is effective has come under serious scrutiny.

New research on the effectiveness of “booth babes” at techie conferences suggests that the use of provocatively dressed young women to sell items at trade shows doesn’t work. The comparison group, which consisted professionally dressed older local women, performed significantly better:

The results? They were great. The booth that was staffed with the booth babes generated a third of the foot traffic (as measured by conversations or demos with our reps) and less than half the leads (as measured by a badge swipe or a completed contact form) while the other team had a consistently packed booth that ultimately generated over 550 leads, over triple from the previous year.

Why don’t booth babes make good salespersons?  Marketing executive Spencer Chen suggests that they are intimidating to men.  That is, rather than attracting men, they repel men.  Chen also suggests that women who are hired specifically for these events have little incentive to work for the company. As he explains, “They are used to not doing much except showing up to make their fee for the day.”  Customers are looking to learn more, something models are not often invested in.  This point may or may not apply to vegan booths, as PETA and other organizations that objectify women rely on volunteers as well as paid models.

Chen also reports, “Business and product execs don’t talk to booth babes.”  While vegan “booth babes” are not targeting important business persons, the effect is similar.  Animal justice is a serious matter, as is changing one’s diet, and “booth babes” simply do not convey seriousness:

Many times I observed that while my team was busy in demos with other prospects, the booth babes were unable to hold the interest of these execs for the extra five minutes that I needed to get a person from our team to engage.

Who they do tend to attract, however, are young men who are interested more in photo ops than business.

Young man poses next to the "Ice Queen" while another young man takes their picture. The woman is very thin, white, and painted in blue. She wears a tiara and high heels. Sign reads: "Beat the heat with nondairy treats."
So why use booth babes at all? Chen suggests that it’s simply cheaper than relying on qualified individuals and experts.  It’s not only easier on the budget, but it’s indicative of cheap advertising standards that dominate the marketplace:

[…] there still exists the “stripper and steaks” mentality in sales, where it’s less about the product and more about relationships and the art of the “close.” Booth babes have long been a part of this dog-and-pony show in this old approach to sales.

This study comes on the heels of the Australian study published in December of 2013 that demonstrated PETA’s “sex sells” approach is actually counter-productive.  Male participants recognized that the women were dehumanized and were subsequently less likely to support the animal rights cause.

Courtney Stodden poses with a veggie dog in a revealing lettuce bikini. Men in the background stare at her.

 


Corey Lee WrennDr. Wrenn is Lecturer of Sociology. She received her Ph.D. in Sociology with Colorado State University in 2016. She received her M.S. in Sociology in 2008 and her B.A. in Political Science in 2005, both from Virginia Tech. She was awarded Exemplary Diversity Scholar, 2016 by the University of Michigan’s National Center for Institutional Diversity. She served as council member with the American Sociological Association’s Animals & Society section (2013-2016) and was elected Chair in 2018. She serves as Book Review Editor to Society & Animals and has contributed to the Human-Animal Studies Images and Cinema blogs for the Animals and Society Institute. She has been published in several peer-reviewed academic journals including the Journal of Gender Studies, Feminist Media Studies, Disability & Society, Food, Culture & Society, and Society & Animals. In July 2013, she founded the Vegan Feminist Network, an academic-activist project engaging intersectional social justice praxis. She is the author of A Rational Approach to Animal Rights: Extensions in Abolitionist Theory (Palgrave MacMillan 2016).

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Does Sex Sell Animal Rights? RESEARCH SAYS NO!

Three naked women stand behind a PETA anti-fur banner outside. A female bystander looks shocked.

Two researchers in Australia sought to test PETA’s hypothesis that sex sells animal rights:

Images of scantily clad women are used by advertisers to make products more attractive to men. This “sex sells” approach is increasingly employed to promote ethical causes, most prominently by the animal-rights organization PETA. Yet sexualized images can dehumanize women, leaving an unresolved paradox – is it effective to advertise an ethical cause using unethical means? In Study 1, a sample of Australian male undergraduates (N = 82) viewed PETA advertisements containing either sexualized or non-sexualized images of women. Intentions to support the ethical organization were reduced for those exposed to the sexualized advertising, and this was explained by their dehumanization of the sexualized women, and not by increased arousal. Study 2 used a mixed-gender community sample from the United States (N = 280), replicating this finding and extending it by showing that behaviors helpful to the ethical cause diminished after viewing the sexualized advertisements, which was again mediated by the dehumanization of the women depicted. Alternative explanations relating to the reduced credibility of the sexualized women and their objectification were not supported. When promoting ethical causes, organizations may benefit from using advertising strategies that do not dehumanize women.

The conclusion?

Overall, these findings are the first to demonstrate that sexualized images that dehumanize women reduce concern for ethical behavior in a domain unrelated to gender relations and sex. 

Salon reports that PETA dug in their heels in response to the research, insisting naked women get the most media attention.  So, perhaps we are misrepresenting PETA’s hypothesis.  They’re using naked women not to raise awareness and stop animal exploitation, but to raise money and awareness about PETA.  The “sex sells” tactic, I have argued, is indicative of the non-profit industrial complex, where compromised messages and fundraising are prioritized over actual social change.  Really, PETA is ignoring this research even though it has been demonstrated that their tactics do not help Nonhuman Animals.  They will continue objectifying women because it “grabs the headlines.” Can it be any clearer that this is not about social change effectiveness?

Of course, while this study demonstrates that there is no effectiveness, there is also a huge body of research that demonstrates that the sexual objectification of women is directly linked to violence against women and the devaluation of women.

 

This post originally appeared on the Academic Abolitionist Vegan.


Corey Lee WrennDr. Wrenn is Lecturer of Sociology. She received her Ph.D. in Sociology with Colorado State University in 2016. She received her M.S. in Sociology in 2008 and her B.A. in Political Science in 2005, both from Virginia Tech. She was awarded Exemplary Diversity Scholar, 2016 by the University of Michigan’s National Center for Institutional Diversity. She served as council member with the American Sociological Association’s Animals & Society section (2013-2016) and was elected Chair in 2018. She serves as Book Review Editor to Society & Animals and has contributed to the Human-Animal Studies Images and Cinema blogs for the Animals and Society Institute. She has been published in several peer-reviewed academic journals including the Journal of Gender Studies, Feminist Media Studies, Disability & Society, Food, Culture & Society, and Society & Animals. In July 2013, she founded the Vegan Feminist Network, an academic-activist project engaging intersectional social justice praxis. She is the author of A Rational Approach to Animal Rights: Extensions in Abolitionist Theory (Palgrave MacMillan 2016).

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The Sexual Politics of Halloween Meat

Halloween has earned a nasty reputation for perpetuating oppression.  Women are encouraged to wear “slutty” costumes that leave little to the imagination and also leave women to freeze in the late October weather (for Northern Hemisphere folk), generally for the enjoyment of men.  Caricatures of Native Americans, disabled people, people of size, Mexicans, Chinese, Japanese, Indian, Arabs, etc. all become fair game for costumes.  In other words, Halloween has become a celebration of white male Western dominance, and anyone who has a problem with that “can’t take a joke.”

Gender, class, ability, size, and race all intersect in the multitude of horrendous, problematic costumes, so we should not be surprised to find the same for species.  There are countless costumes that degrade other animals.  One of the most horrific is a strap-on sheep that is made to appear as though she is being raped by a stereotypical “hillbilly” (a derogatory caricature of Appalachian peoples).

Man in red long johns with hat and full beard wears a toy sheep attached to his groinThere are many variations of this costume for men.  But, for women?

Woman dressed in small tight fitting black dress with sheep's earsNotice how the male version, while horribly classist, still demonstrates male superiority over the feminine.  The female version demonstrates female vulnerability/animal vulnerability.  In both cases, the “sheep” is feminized and portrayed as a male sexual resource.  See also American Apparel’s “zookeeper and animals” costumes.

There are several costumes that also juxtapose femininity with animality, sexual availability, and the desire to be consumed.  Check out sexy bacon, sexy pepperoni pizza, and sexy hamburger and hot dog:

Woman in tight fitting mini dress patterned like bacon

Woman in tight fitting mini dress patterned like pepperoni pizza

Two women in tight fitting mini dresses, one patterned like a hamburger, the other like a hot dogThese are brilliant examples of Carol Adams’s sexual politics of meat theory:  Women are animalized, animals are feminized, and living persons become dead objects.  They become fragmented pieces of flesh for those in power to pleasurably consume.  These pieces of meat are made sexy.  They want you to eat them.

In researching this article, I actually came across several “sexy” women’s costumes that sexualized non-animal food items as well.  While sexy hamburgers and hot dogs are especially problematic because they intersect sexism and speciesism, I’m not convinced that sexy corn-on-the-cob, sexy chewing gum, or sexy watermelon is much of an improvement.

Woman in tight fitting mini dress patterned like watermelonSexualized food costumes for women reinforce the notion that women are resources to be consumed.  They are non-persons, they are objects, they are here at your disposal.  At least these costumes leave Nonhuman Animals out of it, but they’re still pretty darn  problematic.

 


Corey Lee WrennDr. Wrenn is Lecturer of Sociology. She received her Ph.D. in Sociology with Colorado State University in 2016. She received her M.S. in Sociology in 2008 and her B.A. in Political Science in 2005, both from Virginia Tech. She was awarded Exemplary Diversity Scholar, 2016 by the University of Michigan’s National Center for Institutional Diversity. She served as council member with the American Sociological Association’s Animals & Society section (2013-2016) and was elected Chair in 2018. She serves as Book Review Editor to Society & Animals and has contributed to the Human-Animal Studies Images and Cinema blogs for the Animals and Society Institute. She has been published in several peer-reviewed academic journals including the Journal of Gender Studies, Feminist Media Studies, Disability & Society, Food, Culture & Society, and Society & Animals. In July 2013, she founded the Vegan Feminist Network, an academic-activist project engaging intersectional social justice praxis. She is the author of A Rational Approach to Animal Rights: Extensions in Abolitionist Theory (Palgrave MacMillan 2016).

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