Women Laughing Alone With Salad

Woman eating outdoors

You’ve seen them a hundred times before. You know, the bright eyed salad crunching woman. Head thrown back with hysterical jubilee, she is overtaken by the gloriousness of the vegetable medley gracing her lunch bowl. The promotional flyer for your local natural foods co-op features them. The websites for major grocery chains use them. Educational pamphlets in your doctor’s office use them. Tons of vegan organizations use them. Heck, I bet if I checked into it, I probably used one to illustrate a blog post at least once.

Stock photographs of women… sitting alone… with a salad that is so damn hilarious, they can’t help but explode with laughter and delight.

Recently, the absurdity of these images has caught the attention of the internet, resulting in a number of memes, a tumblr page, and even a play.

Salad isn’t really funny. Rarely is it ecstasy-inducing. Usually it’s just a messy experience of trying to shove awkward lettuce leaves into your mouth. Often you’re dissatisfied and annoyed that you used too much dressing, or not enough. In reality, you’re checking your teeth for stuck pieces of lettuce instead of smiling from ear to ear between bites. Eating salad is, in general, a mundane affair.

Collection of stock photos showing women laughing while they eat a salad

But eating salad is lady’s work, and, as such, it must be performed accordingly to tell a particular narrative when being observed and documented.

Vegan feminist theory tells us that food–what we eat and how we eat it–is firmly rooted in gender norms. The consumption of vegetables (with salad being the ubiquitous cliché) is a highly feminized behavior. Gender codes also manifest in the regular hyper-emotionality of women in advertising. That is, women are often portrayed as having inappropriately extreme emotional responses. Representation of this kind adds to the cultural understanding of womanhood as infantile, irrational, and immature. In this case, even a little bit insane. These images reinforce women’s subordinate status. Pairing hyper-emotive women with hyper-feminized food items makes for a perfect storm in sexist imagery.

Man about to eat a forkfull of salad, smiles softly to camera

I have, of course, been presented with the inevitable, “Men, too!” argument. True, men are often shown to be just a little too excited about their salads. But let’s be honest: they are much less frequently depicted laughing, with their head thrown back, in their underwear, or pregnant. The gendered frivolity of salad consumption is very much so a feminine affair.

Woman laying on bed in white underwear eating a salad

When men are pictured in the improbable scenario of eating a salad prostrate on a bed in a white thong, then, okay, let’s talk.

 


Corey Lee WrennDr. Wrenn is Lecturer of Sociology. She received her Ph.D. in Sociology with Colorado State University in 2016. She received her M.S. in Sociology in 2008 and her B.A. in Political Science in 2005, both from Virginia Tech. She was awarded Exemplary Diversity Scholar, 2016 by the University of Michigan’s National Center for Institutional Diversity. She served as council member with the American Sociological Association’s Animals & Society section (2013-2016) and was elected Chair in 2018. She serves as Book Review Editor to Society & Animals and has contributed to the Human-Animal Studies Images and Cinema blogs for the Animals and Society Institute. She has been published in several peer-reviewed academic journals including the Journal of Gender Studies, Feminist Media Studies, Disability & Society, Food, Culture & Society, and Society & Animals. In July 2013, she founded the Vegan Feminist Network, an academic-activist project engaging intersectional social justice praxis. She is the author of A Rational Approach to Animal Rights: Extensions in Abolitionist Theory (Palgrave MacMillan 2016).

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Veganismo y Políticas de Género

 

Translation by Mariángel Villalobos. You can follow her on Twitter @mvillabe. The original English version of this essay can be found by clicking here.

Por Corey Lee Wrenn

Un lector, Alexander Lawrie me envió esta historia y pensé que sería un ejemplo excelente de la supremacía masculina y la vigilancia de género como una barrera en contra del avance de los intereses de las mujeres y otros animales. Un periódico Escocés reportó que los empleados de un restaurante se burlaron de una mujer la cual solicitó que un artículo del menú se hiciera vegano. Su recibo leía: “Vegan Vegan Vegan Pussy”. El restaurante añadió sal a la herida cuando se burlaron de la mujer en su página de Facebook.

¡Pero no termina ahí! El periódico que cubría la historia encontró la página de Facebook de la mujer e imprimió su foto de perfil junto con su nombre completo y lugar de empleo. El acoso adicional que siguió fue lo suficientemente severo para que el periódico moderara los comentarios y eliminara su foto.

Todo el incidente apesta a misoginia. Si la víctima hubiese sido hombre, esperaría que la reacción hubiese sido similar, aunque probablemente con la adición de la homofobia. Bajo el patriarcado, el dominio sobre otros y del consumo de la carne es altamente masculinizado. El veganismo ha sido feminizado no solo porque es más común que los veganos sean mujeres, sino también porque el veganismo representa los intereses de quienes son subyugados a la opresión masculina. El veganismo lucha contra el patriarcado.

No deberíamos de estar sorprendidos de que una compañía que saca provecho de la explotación de los Animales No Humanos use un insulto especista y sexista para desestimar a la mujer, ni deberíamos estar sorprendidos de que los medios de comunicación (que por lo general existen para proteger y reproducir los intereses de la élite) solo hagan las cosas peores. ¿Pero por qué la mesera actuó de esta manera?

En “Female Chauvinist Pigs: Women in the Rise of Raunch Culture” (Disculpen el título especista), Ariel Levy explica que la popularidad del “post-feminismo” en realidad representa una co-optación de una ideología céntrica en la mujer anti-opresión patriarcal. Las mujeres son puestas a competir entre ellas al rivalizar por la aprobación del hombre. En un mundo donde la masculinidad es igualada con prestigio y poder, es común que las mujeres abandonen su feminidad y recurran a la masculinidad. Denis Kandiyoti (1998) le llama a esto negociación patriarcal. Para hacer frente a un mundo que es hostil hacia todo lo femenino, la mesera estaba cuidando sus intereses al apoyar los valores masculinos y al condenar la cena vegana.

Por supuesto, esto significa que los hombres mismos están bajo una enorme presión de conformarse a estos valores masculinos. Este comercial para el “Carnivore Club” (Club Carnívoro) busca reafirmar el control masculino, la inteligencia masculina, y la superioridad masculina de cara a los valores femeninos invasores.

 

Este comercial juega con muchos estereotipos del veganismo: Es para mujeres; es castrante, sin sabor, y fastidiosamente saludable. El unirse al Club Carnívoro promete a los hombres proteger su dominio, su control sobre la naturaleza y hasta su virilidad (aunque consumir productos de Animales no Humanos es vinculado a una letanía de enfermedades que amenazan a la vida, incluyendo problemas cardiovasculares y diabetes, que son unas de las causas principales de la disfunción eréctil).

Carnivore Club Advert

Formular este producto como un “club” es intencional. Los anunciantes esperan usar la masculinidad como un espacio exclusivo para miembros, que están al día. Como los CEOs de Fortune 500, los cuerpos legislativos, los ejecutivos de los medios de comunicación, y otros espacios exclusivos de chicos y su privilegio masculino, el “Carnivore Club” invita a los hombres a que se unan al rango de la élite masculina en su dominio sobre los vulnerables. Verdaderamente, uno no puede siquiera tener acceso a su sitio web sin iniciar sesión como un miembro. Nota también el cuento de la “esposa boba y despistada” tan común utilizado en comerciales, programas y filmes. Las mujeres son demasiado incompetentes para darse cuenta de lo que hacen sus compañeros masculinos de mentalidad superior.

Esto es una masculinidad tóxica. No solo los hombres son motivados a dar rienda suelta a comportamientos nutricionales que les causa enfermedad y muerte, pero las mujeres son también motivadas a que rechacen el veganismo al planear su supervivencia en un patriarcado anti-feminista. Y no nos olvidemos, los más grandes perdedores son los Animales No Humanos cuya opresión es vista como natural y sus defensores son burlados, acosados y silenciados.

 

Corey Lee WrennMs. Wrenn is the founder of Vegan Feminist Network and also operates The Academic Abolitionist Vegan. She is a Lecturer of Sociology with Monmouth University, a part-time Instructor of Sociology and Ph.D. candidate with Colorado State University, council member with the Animals & Society Section of the American Sociological Association, and an advisory board member with the International Network for Social Studies on Vegetarianism and Veganism with the University of Vienna. In 2015, she was awarded Exemplary Diversity Scholar by the University of Michigan’s National Center for Institutional Diversity. She is the author of A Rational Approach to Animal Rights: Extensions in Abolitionist Theory (2015, Palgrave Macmillan).

 

It’s a Man’s World for Talking Dogs

Closeup of a collie chewing food and talking from Beneful commercial

Why is it that almost every voice-over for dogs in commercials for flea & tick medication, pet food, or treats is masculine?

 

First, animals for whom we do not know the sex or gender we often presume to be male by default. Secondly, canines in particular tend to be masculinized. However, the predominance of masculine voices in media is well documented. Human or nonhuman, it really speaks to the patriarchal dominance of public spaces and experiences.1

Feminine voices only seem to be consistently ascribed to Nonhuman Animals on television in dairy commercials featuring farmed cows. These voices are often matronly, as well, likely in an attempt to frame the product as something that is nurturing, healthful, and familial.

 

One exception can be found in the 2015 Yoplait commercial that gives a masculine French voice to an American female-bodied dairy cow. In fact, cows are frequently represented as male despite being female-bodied.2 This not only demonstrates a general ignorance about the American food system, but it also lends evidence to the male-as-default schema.

Notes:

1. Voice-overs are also white-dominated, with few ethnic intonations represented.

2. Gender and sex are not one in the same of course, but human constructions of gender in the nonhuman world are even less consistent and tend to reflect gender hierarchies.


Corey Lee WrennDr. Wrenn is Lecturer of Sociology. She received her Ph.D. in Sociology with Colorado State University in 2016. She received her M.S. in Sociology in 2008 and her B.A. in Political Science in 2005, both from Virginia Tech. She was awarded Exemplary Diversity Scholar, 2016 by the University of Michigan’s National Center for Institutional Diversity. She served as council member with the American Sociological Association’s Animals & Society section (2013-2016) and was elected Chair in 2018. She serves as Book Review Editor to Society & Animals and is a member of the Research Advisory Council of The Vegan Society. She has contributed to the Human-Animal Studies Images and Cinema blogs for the Animals and Society Institute and has been published in several peer-reviewed academic journals including the Journal of Gender Studies, Environmental Values, Feminist Media Studies, Disability & Society, Food, Culture & Society, and Society & Animals. In July 2013, she founded the Vegan Feminist Network, an academic-activist project engaging intersectional social justice praxis. She is the author of A Rational Approach to Animal Rights: Extensions in Abolitionist Theory (Palgrave MacMillan 2016).

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PETA Sexualizes Woman’s Death in Canine Heat Exhaustion Campaign

Trigger Warning: Post contains misogynistic audience responses to campaign discussed. Also contains discussion of violence against women (specifically abduction and murder).

Not Safe for Work: Post contains misogynistic audience responses that utilize vulgar language.

Elisabetta Canalis in low cut tank top sweaty and passed out in the front seat of a car

With summer upon us, leading animal welfare organization PETA has been drawing attention to the dangers of locking dogs in cars with a commercial featuring model Elisabetta Canalis dying of heat stroke. PETA’s promotional website graphically describes Canalis’s death, calling it a “scorcher”:

As the car heats up, Elisabetta experiences the agonizing symptoms of heatstroke. As panic and anxiety set in, Elisabetta’s condition deteriorates rapidly with the addition of excessive thirst, lethargy, lack of coordination, and a rapid heartbeat. Scared and alone, she desperately attempts to escape the car, which is quickly heating up like an oven.

Essentially, the video shows a scantily clad Italian supermodel locked in a car against her will where she suffers and dies. PETA exclaims: “Italian supermodel Elisabetta Canalis knows what it means to be hot!”

Nowhere in the commercial or on the promotional page is a dog ever shown. At all points, the “dog” referred to is the woman. Even the tip sheet listing appropriate actions for dogs found locked in cars shows an image of Canalis dead in the front seat.

PETA flyer for canines in cars: "If you see a dog locked inside a hot car: 1. Quickly take down the car's make, model, color, and license number, and have the owner paged in the nearest buildings. 2. Call local humane authorities or the police immediately; don't hesitate to call 911 if the animal is in distress. 3. Don't leave the scene until the situation has been resolved. 4. If you can't find the owner, the authorities are unresponsive or too slow, and the dog's life appears to be in imminent danger, find a witness (or several) who will back up your assessment, and take steps to remove the suffering animal from the car. 5. Wait for the authorities to arrive.

PETA defends the sexualization of this woman’s violent death because “sexy celebs” attract more viewers.

Twitter user asks PETA, "Can you explain why you chose a young, scantily clad model? Why you chose to maek her suffering and death sexy?" PETA responds: "Sexy celeb starred in vid so we'd reach more pple. 420k on YouTube have gotten important message thanks 2 Elisabetta Canalis"

If attracting more viewers is the goal, it’s certainly working. But if educating the public on Nonhuman Animal issues is the intent, the message seems to be lost on many. For example, the top two comments on the commercial’s Youtube page read: “Again, PETA has to resort to over sexualization in order to get their message across” and “Wouldn’t have happened, if she stayed in the kitchen.”

PETA-Summer-Scorcher-Top-Comments

Similar comments characterize the public’s response:

dog damn! I have never realized how sexy it was to let a dog closed in a car for a few minutes!!!

I want to get trapped whit (sic) that dog in the worst summer day god ever create (sic) if you dont (sic) mind.

i think this video is a great lesson to all women everywhere on the dangers of leaving the kitchen.

yay im going to do this to females, thank you peta for the idea

Women=dogs

mmm let me get in that car too n heat thangs up a bit more /licks lips

I bet this ad would have been cooler if she de-robed!

This did not teach me or change my mind on anything about animals…just made me want to fap it

never leave ur bitches in the car…got it…

This video has backfired in 2 ways: 1, I now regard women as dogs, 2, now I have a heat exhaustion fetish

And yet PETA insists the model is sexy, not her suffering and death. The point of the video, it reassures, is to “show how wrong it is to lock a living being in a car.”

Twitter user to PETA: "This advertisement draws heavily on imagery of violence against women, and you sexualized it. I believe it was intentional. PETA responds: "Sry u feel that way, that wasn't the point of the video. There was no violence, other than the extreme heat in the car."

More likely, the point of this video is to exploit sexualized violence against women to bring attention to PETA. Depicting a panicked woman locked in a car against her will is drawing on imagery of kidnapping, rape, and murder, an all too common occurrence for women. I can’t even say I’m convinced this is intended to draw attention to dogs when dogs are completely absent from the campaign.

Elisabetta Canalis PETA Car

PETA’s intentions may be good, but its facilitation of rape culture is unmistakable. A lot of money and time goes into advertising campaigns—these images were intentionally chosen to trigger particular cultural knowledges. It is not an accident it chose a “sexy” woman pounding on the windows in a desperate attempt to escape as she dies trapped in a car. The sexualization of rape and violence against women is a cultural norm, it’s something we respond to.

But aggravating violence against woman is not a valid justification for advocating on behalf of dogs or other animals. As evidenced in the viewers’ responses, trivializing the oppression of women to challenge the oppression of other vulnerable groups is not effective. People tune in for sexy misogyny, and exactly what they get.

 

This essay originally appeared on Feminspire on May 28, 2013.


Corey Lee WrennDr. Wrenn is Lecturer of Sociology. She received her Ph.D. in Sociology with Colorado State University in 2016. She received her M.S. in Sociology in 2008 and her B.A. in Political Science in 2005, both from Virginia Tech. She was awarded Exemplary Diversity Scholar, 2016 by the University of Michigan’s National Center for Institutional Diversity. She served as council member with the American Sociological Association’s Animals & Society section (2013-2016) and was elected Chair in 2018. She serves as Book Review Editor to Society & Animals and has contributed to the Human-Animal Studies Images and Cinema blogs for the Animals and Society Institute. She has been published in several peer-reviewed academic journals including the Journal of Gender Studies, Feminist Media Studies, Disability & Society, Food, Culture & Society, and Society & Animals. In July 2013, she founded the Vegan Feminist Network, an academic-activist project engaging intersectional social justice praxis. She is the author of A Rational Approach to Animal Rights: Extensions in Abolitionist Theory (Palgrave MacMillan 2016).

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Animal Victimization in the Service of Male Vengeance

Consider the following story line:
1. Woman is assaulted/raped/kidnapped/murdered.
2. Man goes on rampage in revenge.

How many movies (and television shows, video games, comics, etc.) can you think of that follow this plot? Bravehart? Taken? Just about every video game ever created? The victimization of women is an extremely over-used plot device meant to allow for rampant, unabashed violence from leading male-identified characters.

Taken Vegan Neeson

Feminists have taken issue with the trope, not simply because it gives a green light to hyper-masculinized violence, but also because of the ways in which women are presented. In seeing women vulnerable, victimized, dependent on men, and rarely actively involved in their own protection or survival, women become objects. Women don’t exist as persons or meaningful characters–they exist solely as an excuse for Liam Neeson to blow up half of Europe in search of his daughter, or for Mel Gibson to disembowel and behead half the English army.

Consider the impact this imagery has within a sexist culture. Imagine what it is like to be a woman in a media space that is saturated with images of women being hurt. Think about how difficult it can be to watch an action movie or television drama without being subjected to the obligatory rape scene. Media socializes not only male viewers, but female viewers as well.

Are we being encouraged to empathize with the victim, or are we being encouraged to root for the “good guy”/”hero”?  Are we encouraged to think critically about the systemic violence that the victimization is embedded within? Or are we really just pushed to unload our hatred on one individual “bad guy” and his cronies? When images of violence against the vulnerable are presented as entertainment and cheap plot devices, is this not a form of revictimization?

Lee Hall, a feminist and legal scholar in animal rights, has a chapter in her book On Their Own Terms: Bringing Animal Rights Philosophy Down to Earth which questions the use of violent images of Nonhuman Animal suffering in a similar vein. Social movement scholars have pointed to the utility of “morally shocking” imagery as a motivation for becoming an activist, but at what point do graphic images simply begin to reinforce the object-status of Nonhuman Animals as helpless victims? What impact could these millions of images be having on our conceptualization of other animals?

To me, it seems that activists are not only blasting the public with these demeaning images, but they are also sharing them within the activist community as a means of exciting rage and desire for vengeance. Crude images of Nonhuman Animals being kicked, beaten, sexually assaulted, dismembered, etc. are shared among activists with encouragements to “GET ANGRY!” or “DO SOMETHING!”

Ecofeminist Marti Kheel has been writing about this “savior complex” in anti-speciesist spaces for decades. Instead of examining the root cause of exploitation, activists and theorists are looking for a reason to call on their inner Liam Neeson. The vegan feminist perspective, however, sees social change grounded in respect for the exploited and peaceful, non-violent education for the exploiters. Kheel explains:

Whereas nature ethicists have tended to concentrate on “rescuing” the”damsel in distress,” ecofeminists have been more likely to ask how and why the “damsel” arrived at her present plight. [ . . . ]

The natural world will be “saved” not by the sword of ethical theory, but rather through a transformed consciousness toward all of life.

“From Heroic to Holistic Ethics,” Ecofeminism,1993, p.243-4

My concern is that “victims in pictures” simply become revictimized when their experiences are shared in a matter that does not necessarily respect their personhood. In doing so, they simply become objects in the story line of activism:
1. Nonhuman Animal is assaulted/raped/kidnapped/murdered.
2. Human goes on rampage in revenge.

Given that the Nonhuman Animal rights movement already operates according to patriarchal norms and generally celebrates violent direct action, it seems quite fitting that Nonhuman Animals are presented as victims in order to allow men the justification they need to rampage. While violent activism is done in the name of social justice, the “might makes right” logic that supports this approach clearly works within an ideology of patriarchy.

Baby elephant smiles and lifts their trunk upwards towards mother, whose legs and trunk frame the shot

Popular media loves to play this victim card so that audiences can quickly “cut to the chase.” But is it wise to employ the same tactic in social justice efforts?  I think it is fair to say that the norm in other movements is to focus on the personhood of victims and survivors, instead of blasting audiences (and each other) with images of bloodied and mangled corpses or near-corpses. The video capturing the murder of Walter Scott by a police offer has gone viral in the Black Lives Matter movement’s media circles, drawing criticism from some that the revictimization of Black men through imagery mimics the same process found in pornography (an argument I have also made regarding the use of rape memes in the Nonhuman Animal rights media):

Yes, we should celebrate that even though an unarmed black man was killed, his killing was caught on film, so there’s a better shot at justice and closure. But I’m trying desperately to make sense of why watching and sharing the video that tore his mother’s heart to pieces is as normal as making your latest Instagram post. So far I’m landing at this: In a world where we are inundated with explicit content, watching black men die on camera provides a thrill that America thought she lost when popular lynchings ended with no need for a “mature audiences only” disclaimer. [ . . . ]

The black man’s death is repeated, reproduced, shared, and celebrated in a macabre way specific to the snuff genre. These films and activities have always existed, but in the past people didn’t consume them so publicly, or so proudly outside of public executions and lynchings.

Perhaps the Nonhuman Animal rights movement should take note. Instead of revictimizing Nonhuman Animals, let’s present them as persons. Let the Nonhuman Animals take center stage, not their human avengers. This is a movement that seeks to restore dignity to Nonhuman Animals. Reproducing victimization through movement media might not be sending the right message.


Corey Lee WrennDr. Wrenn is Lecturer of Sociology. She received her Ph.D. in Sociology with Colorado State University in 2016. She received her M.S. in Sociology in 2008 and her B.A. in Political Science in 2005, both from Virginia Tech. She was awarded Exemplary Diversity Scholar, 2016 by the University of Michigan’s National Center for Institutional Diversity. She served as council member with the American Sociological Association’s Animals & Society section (2013-2016) and was elected Chair in 2018. She serves as Book Review Editor to Society & Animals and has contributed to the Human-Animal Studies Images and Cinema blogs for the Animals and Society Institute. She has been published in several peer-reviewed academic journals including the Journal of Gender Studies, Feminist Media Studies, Disability & Society, Food, Culture & Society, and Society & Animals. In July 2013, she founded the Vegan Feminist Network, an academic-activist project engaging intersectional social justice praxis. She is the author of A Rational Approach to Animal Rights: Extensions in Abolitionist Theory (Palgrave MacMillan 2016).

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Rape Analogy as Fast Food Advocacy

TRIGGER WARNING: This essay contains a frank discussion of rape analogy in the Nonhuman Animal rights movement, including images that depict violence against women. There are also discussions of other forms of human suffering (like pedophilia and racism) that may be painful for some readers.

Fast Food Advocacy

In this essay, I want to quickly address some common responses to Vegan Feminist Network’s position on misogynistic imagery as a tactic in Nonhuman Animal rights. I believe much of the response reflects a commitment to sexism, but some also reflects a general ignorance to the impact that patriarchal ideology and a social environment of misogyny has on the activist imagination. The response also reflects a need to deflect discomfort, because these are tactics that have come to dominate our social movement space, and many have taken them for granted as acceptable and useful. Being made aware of participation in violence triggers cognitive dissonance, and it is a natural response to debate, deride, or deflect in order to protect a positive self-concept.

One of the most common responses we receive is an appeal to alternatives (the implication being that alternatives are either too difficult to imagine or simply do not exist). Activists may be sincere in their inquiries for alternatives to misogynistic tactics, but I believe this response is often engaged to derail the discussion. All activists know that there are certain lines that should not be crossed because they will be so offensive that they will hurt others and repel participants.1 We don’t want to cause hurt and we want to grow our movement, so analogies that go too far are inappropriate.

Man artificially inseminating a cow

Just today, this image was shared by A Well Fed World and Free From Harm. While no women are pictured, the analogy is implicit. Research into morally shocking imagery suggests that this approach can easily repel audiences. We can imagine how this response would be magnified by female audiences that are triggered by images of sexual assault and rape.

More and more activists in the movement recognize that slavery and Holocaust analogies are problematic. True, there are still some white-identified/non-Jewish persons clinging onto these analogies, but there are other analogies that I daresay no one would get behind. For instance, I think it is fair to say that everyone agrees that pedophilia analogies would go too far. A common analogy between women and other animals involves the violence of dairy production. Women are often depicted as being assaulted, beaten, and raped to make a point about what happens to cows. When women are targeted, there seems to be little objection. However, if activists were to produce and promote memes of children being sexually assaulted to raise awareness to dairy cows being violated, most would have to agree that this approach would be so triggering and hurtful, that it would be an act of violence and would put the movement in a bad light. Indeed, because the cows in the dairy industry are still babies and children themselves when they are hoisted onto the industry-termed “rape rack,” wouldn’t pedophilia analogies be more accurate than those that draw on violence against adult women?

But it isn’t about accuracy. It’s about swapping out one degraded and worthless body for another. As one reader pointed out, PETA’s foie gras campaign that positions women as the duck victim in advertisements and demonstrations across the world is illogical because ducks used in the industry are male. That doesn’t stop PETA from “telling it like it is.”

Woman at a dining table being forcefed by a man with a tube, she looks frightened Woman bound by rope face down on a dining table covered in her blood and vomit in an anti-foie gras demo PETA Founder Force-Fed Outside Fortnum&Manson Man standing over woman on her knees being choked by a feeding tube in an anti-foie gras demo Woman force fed with feeding tube, her mouth is stretched and bleeding Man standing over bound and kneeling woman, he is pushing her head down and forcefeeding her with a feeding tube, she looks scared

Indeed, a common response to misogynistic analogies is that “this is accurate; this is how it really is.” Vegan Feminist Network isn’t arguing against that, but we must be cognizant of media as a social construction. Media creators choose what story they want to tell and they seek to manipulate how audiences will interpret them. We live in a rape culture where violence against women is commonplace. The movement draws on this social reality to trigger a specific response. Patriarchal ideology may make many unconscious to this language they are using, but activists are not ignorant. No one (I hope) uses images of lynching or violence in nursing homes or mental institutions. No one uses images of humans with deadly diseases like cancer, AIDS, or ebola. All of these human experiences with violence and suffering could easily be enacted to make analogies about Nonhuman Animal exploitation. Fortunately, activists know better than to use them, because it is understood that they will be offensive and painful to the vulnerable groups whose experiences are appropriated. Except for women. The movement produces thousands of images and reenactments of women bloodied, bruised, assaulted, raped, dying and dead. Because women don’t count.

Women are still at the bottom of the ladder. Violence against women is so commonplace, it is rarely even questioned as a painful subject in the Nonhuman Animal rights movement. This is to be expected. In all social movements, women have been ignored, exploited, and left behind.2 The anti-slavery movement would not let women participate and intentionally excluded gender from campaigns to make legislative language more inclusive. The Civil Rights movement kept women in organizational roles and pushed men into the leadership positions.  The gay rights movement seriously underserved lesbians. The free-thinking/atheist movement soundly denies the need to recognize feminist issues. In all efforts to advance social justice, women have been made to take a back seat, never considered fully equal or worthy of rights. The feminist movement has been seeking to challenge this ideology since women were first ousted from anti-slavery efforts in the 1800s, but female activists continue to be framed as loudmouthed, unattractive, mentally unstable, feminazis. Just last month, Time Magazine listed the word “feminist” on their reader poll of words that should be banned. We’ve come a long way baby…but not nearly far enough.

Sexism is so normalized in our society that it has become invisible. You cannot turn on the television without being exposed to sexist remarks, jokes at women’s expense, sexual harassment, sexual objectification, and violent assault and rape of women. We are all exposed to a nonstop onslaught of sexist imagery in our society. It becomes as natural as the air we breathe. The bodies of women have always been sites of violence and domination, to the point where it becomes mundane and expected. So, when Vegan Feminist Network takes a stand against the encroachment of this violent imagery in Nonhuman Animal rights spaces, readers are understandably taken aback. They’ve never been made to think critically about the gender-based violence they have taken for granted as acceptable and normal for all of their lives.

Readers often respond with disbelief or with weak justifications, demanding a soundbite explanation as to why this behavior is problematic in two Facebook comments or less. The information is out there (as just one example, the Vegan Feminist Network website is chock full of free information), but few really want to learn more, because I suspect that few really care. This is the way it has always been done, women are easy targets, and women’s pain doesn’t matter (or matters less).

Kim Socha refers to these kinds of trans-species tactics as “fast food activism.” There is no concern with investigating why these analogies might be problematic, that is, why they may not work as a scientific matter, how the state of sexism is in our society influences interpretation, or how they impact women. Just like McDonalds, these analogies pull on the readily available language of violence against women and pump out advocacy cheaply and quickly irrespective of the hurt it causes to vulnerable groups and the damage done to society.

Woman hugging cow

Violence-free activism that brings attention to Nonhuman Animal exploitation and the intersectionality of oppression is not difficult to achieve.

There are tons of ways we can help other animals without resorting to this tokenizing approach. I’ve published hundreds of essays on this website and on my personal blog, The Academic Abolitionist Vegan, most of which are grounded in my research in social movement theory and social psychology, and all of which are freely available. There are also hundreds of books on effective social change available. There’s no excuse for allowing patriarchal norms and PETA’s influence to dictate our activism. We don’t need to hurt women to help animals. We do it because it is easy and because women don’t matter, and that is a problem.

Notes

1. There are a few exceptions, including Israeli group 269Life which, in addition to “reenacting” sexual assault and violence against women in public, also uses shackles, chains, and branding on humans in street demonstrations. PETA, too, has utilized graphic analogies of African slavery and the Holocaust.

2. This is not to say that women were not leaders and important players (in all movements there are important exceptions), but only to emphasize that movements act as microcosmic social systems and too often exclude women and ignore their interests.